Treats for writers? What can they be and why do writers need treats? The answer is quite simple really. Writers spend so much time on their own, involved in their own worlds and preoccupations that they need to replenish their energies with enjoyment from time to time. When I am in need my solution is a writer’s treat. Let me explain.
You have heard of Morning Pages, I am sure. Morning Pages were popularised by Julia Cameron in her book The Artist’s Way. Many writers and other artists use Morning Pages to begin their day. It’s a form of free writing and is known to help people get the splurging over with, generate ideas, think through problems, record ideas and passing thoughts, and, for writers, it oils the pen for the day.
Less well known is the companion activity of the Artist Date. My version of this is the Writer’s Treat.
The Artist Date (aka Writer’s Treat)
Like Morning Pages the Artist Date is a ‘basic tool,’ of creativity, according to Julia Cameron – although she warns that you might think it is a nontool or a diversion, a distraction from the artistic endeavour. So what is it, this artist date?
An artist date is a block of time, perhaps two hours weekly, especially set aside and committed to nurturing your creative consciousness, your inner artist. In its most primary form, the artist date is an excursion, a play date that you preplan and defend against all interlopers. You do not take anyone on this artist date but you, and your inner artist aka your creative child. That means no lovers, friends, spouses, children, – no taggers-on of any stripe. (18)
And the purpose and form of the date?
Your artist needs to be taken out, pampered, and listened to. … A visit to a great junk store, a solo trip to the beach, an old movie, seen alone together, a visit to an aquarium or art gallery. (19)
More examples: a long country walk, a solitary expedition to the beach for a sunrise or sunset, a sortie out to a strange church to hear gospel music, to an ethnic neighbourhood to taste foreign sights and sounds.
Writing and the Artist Date
Like many people I have read The Artist’s Way, and continue with a form of Morning Pages. I have also adopted the Artist Date, but over the years I have left behind the rules and I call it Writer’s Treats.
The rules for Julia Cameron were
- Set aside time
- Set aside time every week
- Keep it to yourself: no lovers etc.
- Commit to the date
I don’t have any rules for my writer’s treats. I just do them.
I do them when I feel like it, and especially when my writing is getting a little cramped, rusty, wayward.
I don’t always plan my treat. If something is bothering me I’ll change my shoes and set out on my favourite short walk, up through the woods on the local common, and out to a bench, where I can sit and look at Dartmoor and the weather. Sometimes I take my notebook. Sometimes my camera. Sometimes I just sits and thinks and …
Some treats I do plan, especially as I no longer live in easy reach of museums and art galleries. In London I could more easily go to a concert or the opera, or drop in on an exhibition, and just look at one picture or object. For example, I am always moved by the display in the British Museum of two people’s diet of tablets throughout their lives (see photo).
I am usually alone. Since my teenage years I have gone to the cinema, concerts, theatre, travelling abroad on my own. Not always, but often. A creative focus can do without social distractions, but I also enjoy social interactions like any one else.
Examples of Writer’s Treats
Treats can be small, like a coffee in a local café, with my notebook out and ears open. A short walk by the sea. They can be large, like a trip to Amsterdam, spending a whole day in the Rijksmuseum. Here’s a model that inspired a short story.
Nowadays they are often associated with visits to London, like the weekend during which I went to the Freedom From Torture Write to Life Group’s production of Lost and Found at the Roundhouse. I spent a morning at Cornelia Parker’s Found exhibition at The Foundling Museum. I used to sing in a community choir at the Foundling Museum, so I also enjoyed some nostalgia amongst the Hogarth paintings. And Georgia O’Keeffe’s show at the Tate Modern. And as I was away from home and on my own I was reading, reading, reading.
Concerts are always a treat, and this year the Dartington Summer School in August featured some talks as well: Jo Shapcott reading her poems, Alfred Brendel talking about Beethoven’s last three sonatas. I noted at the time that I was entranced by the combination of his accent, his intellectualism and how he used words to unpick music.
In September I had a treat with my grandson, a trip out of Plymouth Royal William Dock in a boat to demonstrate marine biology hydrophonic equipment on a beautiful sunny Sunday morning.
I have heard people call this feeding the soul, and they’ve got a point. It also, I reflect as I write, looks like the most enormous self-indulgence. Perhaps it is both. But it is about not getting rusty, enjoying the creativity of others, being exposed to new things. As a result of my treats I often see things in new ways, see and hear things I haven’t experienced before. I can react without worrying about my companions, or any task, such as writing a review. It rests my mind from struggles with writing.
The Artist’s Way: a spiritual path to higher creativity by Julia Cameron, published in the UK by Pan books: first published in 1993.
I wrote about Morning Pages on this blog in April 2013 in a post called Do writers really need a routine?
To receive email notifications of future posts please subscribe by entering your email address in the box.