Tag Archives: writing therapy


Who doesn’t have one or two things that they keep to remind themselves of something in the past: a photograph, a pebble, an item of clothing? Those of us fortunate enough not to have a disrupted life are able to hold onto our souvenirs. For those, forced through fear of violence to flee their country, the souvenirs may be lost or less easy to understand. Tracy, a refugee and a victim of torture, said

What happened to me, the marks on my body, the memories, they are going to be my souvenirs.

FFT On My WayTracy had contributed these lines to the play Souvenirs. Living with one’s past can be unbearable, and that’s where the work of Freedom from Torture is so valuable. A group within that charity assists refugees through writing: The Write to Life group. I had a small connection with them before I left London. This is a revision of the post I wrote after I had been to see a production of their play: Souvenirs.


Writing takes one to some surprising places and to meet some amazing people. Writing as therapy may sound dry and self-indulgent, but the Freedom From Torture’s Write to Life Group are lively, thoughtful and funny. They were also very welcoming when I joined them at one of their meetings. The group was established in 1997 and is co-ordinated by Sheila Hayman, assisted by a team of mentors. It supports torture survivors through writing, a therapeutic process.

254 souvenirs-frontcover

Souvenirs was based on the words of five of the group’s participants whoworked with two theatre companies: iceandfire and Tamasha Theatre Company. The writers played themselves.

Tracy said: What happened to me, the marks on my body, the memories, they are going to be my souvenirs. …I want to show people how I feel. In my struggle I did not have a voice and I want the world to know the truth. Talking, acting, writing about it, it’s another way to free myself.

‘The woman sitting in front of you…’ Jade, sitting centre stage, inescapable, speaks the first line. We, the audience, cannot escape. Her words, perhaps first spoken to Christine Bacon, the scriptwriter, are repeated several times in the short production. Jade sitting on the stage, is speaking to me, to you, to the other members of the cast.

The writer-actors tell us what we would rather not hear:

  • This country, my country, refuses asylum to some victims of torture
  • My country does not allow asylum seekers to work
  • My country treats people as if their needs for food, shelter, comfort, transport, communication with home, are irrelevant
  • Children in other countries are forced to become soldiers
  • Children can and do kill people
  • Parents leave behind their children and partners
  • Parents don’t know when or if they will see their children again
  • Refugees fear memories of torture but they are made to repeat details when they claim asylum
  • Individual acts of small kindnesses are treasured
  • Suffering does not stop when they reach the UK, and can be made worse by experiences here
  • Suffering and healing are all around us
  • Witnesses are sitting in front of us, on the stage.

Tracy says to the audience that she tells other sufferers of torture to speak out. This is part of the healing process. Another participant in the Write to Life group said, ‘talking, acting, writing about it, it’s another way to free myself.’ An audience is like a mirror in front of her, after all the horror and degradation, she is still powerfully and triumphantly alive. This is the mending power of words.

After a previous performance of Souvenirs at the Bath Literature Festival, Mohamed said:

When I saw the audience, I found myself saying it to them with my whole heart. Saying that script – it took me right back. … I want to change people’s perspective of asylum seekers – this is a kind of advocacy for people who are voiceless, which is invaluable. (from the Freedom From Torture blog)

Performing the play was an emotional experience for the participants. And also for the audience. The applause was prolonged.

Words bear witness to these things we don’t want to know. But we cannot now unknow them. We are the people in front of whom stood Jade, Mohammed, Tracy, ‘Uganda’, Hasani, and, in the revised script of the play, Conteh. Words allow us to know and to share, to change. Words lead to action. Now we know, what will we do?

‘Uganda’ said: This is the only way to speak out. It is a way to let the world know what is happening – we are alerting people to get things done.


Rescue off the Canaries, November 15th 2006. Noborder Network via WikiCommons.

Rescue off the Canaries, November 15th 2006. Noborder Network via WikiCommons.

We tend to think that the crossing of the Mediterranean is the worst of the refugees’ journey to freedom. But what happens when they land, when they apply for asylum, these things can be as damaging as anything experienced up to that point. I am still ashamed now, more ashamed even, of how my country treats refugees. I continue to support Freedom from Torture.

The text of Souvenirs is available to buy from Freedom from Torture at £5.

254 FFTlogoThe original post, Souvenirs and Writing Home, was published in April 2013.


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