Tag Archives: Short Circuit

Even more praise for short stories

More praise for short stories was the title of a post on this blog in January 2017. It updated an earlier post (November 2013). It has maintained a modest readership ever since, so I decided it was time to revise the second post and recommend more short stories for those who love reading them, as I do.

I love the form, writing them and reading them. They are not novels-lite, and the stories of Alice Munro are as rich as any novel, giving the reader the experience of a novel in one story. William Boyd suggested that the form’s strength derives from its roots in our oral traditions. He said:

The great modern short stories possess a quality of mystery and beguiling resonance about them – a complexity of afterthought – that cannot be pinned down or analysed. Bizarrely, in this situation, the whole is undeniably greater than the sum of its component parts. (in Prospect 2006, A Short History of the Short Story)

Nadine Gordimer said that short stories should ‘burn a hole in the page’. That’s another way of putting it.

Reading short stories

I love reading short stories, especially in anthologies. They can introduce us to new writers; give us a great experience of creative writing in a nugget; provide us with insights into different writing in a digestible form. 

It is not clear why large publishers don’t like to publish anthologies of short stories. But smaller and independent publishers are doing their bit (let’s hear it for them AGAIN! because they listen to what the reading public say they want.)

A selection from Bookword 

In the last year I have reviewed the following collections, with links included:

Olive, Again by Elizabeth Strout

Wave Me Goodbye: stories of the Second World War, Edited by Anne Boston

The Bloody Chamber by Angela Carter

Sweet Home by Wendy Erskine

Refugee Tales IV Edited by David Herd & Anna Pincus

And in the next few months I plan to read these: 

Hitting a Straight Lick with a Crooked Stick by Zora Neale Hurston

Elizabeth Bowen collection

Shirley Hazzard collection

Where the Wild Ladies are by Matsuda Aoko, translated from the Japanese by Polly Barton, Tilted Axis press (2020). A present from my daughter.

Writing short stories

Short stories have provided a platform for writers not visible in other forms. This is especially true for novice writers, and for women: think of the numerous short story competitions by Fish Publishing, the Bridport Prize, and the Costa Award. And you can find local competitions too, for example here in the South West there is the Exeter Short Story Prize, organized by Creative Writing Matters. These competitions are not usually limited to contestants in the area, although this one has an additional award for local writers. Online you can also find many journals and sites that publish short stories.

Most how-to-write-fiction books assume the reader is a novelist, so I recommend Short Circuit: A guide to the Art of the Short Story, edited by Vanessa Gebbie (published by Salt). Not only is the guidance relevant and helpful, but the writers all recommend further reading, further delights.

I say no more about writing them at the moment as I have been stuck on one for months and months and months.

Other recommendations 

Some other recommendations (with some links) are:

Elizabeth Taylor (Virago)

 

Raymond Carver (Vintage)

Alice Munro (Virago and Penguin)

Edith Pearlman (Pushkin)

Hilary Mantel (4th Estate)

Persephone Book of Short Stories

Dorothy Whipple (Persephone)

When I previously wrote about short stories, readers recommended the following writers:

More Praise for Short Stories appeared in January 2017 on this blog.

Over to you

Which stories and writers would you recommend? What have you enjoyed? Are you a writer of short stories?

6 Comments

Filed under Books, Elizabeth Bowen, Reading, Reviews, short stories, translation, Women in Translation

More praise for short stories

In November 2013 I wrote a post called In praise of short stories. It has maintained a modest readership ever since. Here is an updated version, with new recommendations.

Now is the time of the short story

Alice Munro

Short stories are flourishing. Both the winner of the 2013 Nobel Prize for Literature (Alice Munro) and the 2013 International Man Booker Prize Winner (Lydia Davis) were applauded for their outstanding achievements in short stories. Penguin tried out a new publishing format with: The Embassy of Cambodia by Zadie Smith in an electronic as well as small hardback. I am not aware of repeats or intentions to continue this experiment. On-line you can find many journals that publish short stories, and there are many on-line competitions throughout the year.

I love the form, writing them and reading them. They are not novels-lite, although the stories of Alice Munro are as rich as any novel, and the reader can have the experience of a novel in one story. William Boyd suggests that the form’s strength derives from its roots in our oral traditions (see his article in Prospect from 2006 called A Short History of the Short Story).

According to William Boyd:

The great modern short stories possess a quality of mystery and beguiling resonance about them – a complexity of afterthought – that cannot be pinned down or analysed. Bizarrely, in this situation, the whole is undeniably greater than the sum of its component parts.

Nadine Gordimer said that short stories should ‘burn a hole in the page’. That’s another way of putting it.

Reading short stories

I love reading short stories, especially in anthologies. They can introduce us to new writers; give us a great experience of creative writing in a nugget; provide us with insights into different writing in a digestible form. A friend introduced me to a collection called In a Fertile Desert: modern writing from the United Arab Emirates, translated and selected by Denys Johnson-Davies. For me, the stand-out story of the anthology was The Old Woman by Maryam Al Saedi, which provided a painful insight into the treatment and expectations of an older woman. One sentence burned a hole in the page for me.

Her children only became aware of her name when they had to obtain a death certificate.

It is not clear why large publishers don’t like to publish anthologies or collections of short stories, unless they are by established authors. But smaller and independent publishers are doing their bit (let’s hear it for them AGAIN! They do seem to listen to what the reading public say they want.)

Writing short stories

Short stories have provided a platform for writers not visible in other forms. This is especially true for novice writers, and for women: think of the numerous short story competitions by Fish Publishing International Short Story Award, the Bridport Prize, The Asham Award, Costa, to mention a few. I refer to my own modest success in 2016 in Exeter Short Story Prize, organized by Creative Writing Matters.

Most how-to-write-fiction books assume novels, but I recommend Short Circuit: A guide to the Art of the Short Story, edited by Vanessa Gebbie (published by Salt). Not only is the guidance relevant and helpful, but the writers all recommend further reading, further delights. [My apologies for misspelling in the earlier version of this post.]

My recommendations

My recommended short story writers (with some links):

And five collections to recommend:

Dorothy Whipple

Elizabeth Day’s top ten short stories, in the Guardian in 2014, draws attention to collections by well-known novelists: Julian Barnes, Jon McGregor, Chimamanda Ngozi Adiche, Jhumpa Lahiri, as well as some I have listed, who are better known for short stories.

When I originally wrote about short stories, readers recommended the following:

  • Tim Moss – Close to the Edge
  • Gabriel Garcia Marquez – Leaf Story
  • Alice Hoffman – The Red Garden
  • Katherine Mansfield
  • Margaret Drabble – A Day in the Life of a Smiling Woman

Over to you

Which stories and writers would you recommend? What have you enjoyed? Are you a writer of short stories?

To subscribe and receive email notification of future posts on Bookword please enter your email address in the box.

 

8 Comments

Filed under Books, short stories, Writing

In praise of short stories

Short stories are flourishing at the moment. Both the most recent Nobel Prize for Literature (Alice Munro) and the International Man Booker Prize Winner (Lydia Davis) are applauded for their outstanding achievements in short stories. It’s a form that embraces many genres, styles, plots, and approaches. A recent innovation was the sale by Penguin of a single short story, in electronic form (£2.99) well as in hardback (£7.99): The Embassy of Cambodia by Zadie Smith. It’s an attractive innovation and has probably only happened because electronic versions are economically viable.

62 misc

I love the form, writing them and reading them. They are not novels-lite, although the stories of Alice Munro are as rich as any novel, and the reader can have the experience of a novel in one story. William Boyd suggests that the form’s strength derives from its roots in our oral tradition (see his article in Prospect from 2006 called A Short History of the Short Story).

According to Boyd:

The great modern short stories possess a quality of mystery and beguiling resonance about them – a complexity of afterthought – that cannot be pinned down or analysed. Bizarrely, in this situation, the whole is undeniably greater than the sum of its component parts.

Nadine Gordimer says that short stories should ‘burn a hole in the page’. That’s another way of putting it.

I love short stories, especially in anthologies. They can introduce us to new writers; give us a great experience of creative writing in a nugget; provide us with insights into different writing in a digestible form. A friend recently introduced me to a collection called In a Fertile Desert: modern writing from the United Arab Emirates, translated and selected by Denys Johnson-Davies. For me, the stand-out story of the anthology was The Old Woman by Maryam Al Saedi, which provided a painful insight into the treatment and expectations of an older woman. One sentence burned a hole in the page for me.

Her children only became aware of her name when they had to obtain a death certificate.

Short stories have often provided a platform for writers not visible in other forms. This is especially true for novice writers, and for women: think of the numerous short story competitions by Fish Publishing International Short Story Award, the Bridport Prize, The Asham Award, Costa, to mention just a few. There was a sudden burgeoning of the form in the hands of feminist from the 1890s (see for example the Showalter Collection below) and women have continued to make significant contributions to the form ever since (see the Angela Carter anthology for a superb selection).

Perhaps because the platform they provide is less showy, less expensive than that of the great novels, publishers don’t like collections of short stories, except by established authors, or so we are frequently told. But this is hardly true of some of the smaller publishers (let’s hear it for them AGAIN! They do seem to listen to what sections of the reading public say they want to buy.)

Most how to write fiction books assume novels, but I recommend Short Circuit: A guide to the Art of the Short Story, edited by Vanessa Grebble (published by Salt). Not only is the guidance relevant and helpful, but the writers all recommend further reading, further delights.

Here is are five of my current favourite short story writers (not in any order and not necessarily the top five either – just five to celebrate):

62 Carver

  1. Raymond Carver (Vintage)
  2. Alice Munro (Virago and Penguin)
  3. Molly Panter-Downes (Persephone)
  4. Angela Carter (Virago)
  5. Flannery O’Connor (Faber)

And five of my favourite anthologies (again, not in order and five to celebrate):

  1. Persephone Book of Short Stories
  2. Nicholas Royle (Ed) The Best British Short Stories series (Salt) – annually
  3. BBC National Short Story – annually
  4. Angela Carter (Ed), Wayward Girls and Wicked Women (Virago)
  5. Elaine Showalter (Ed) Daughters of Decadence, women writers of the fin-de-siecle. (Virago)

62 Best

Regular readers of this blog will know I am reading through Elizabeth Taylor’s novels at the moment. When I have read them all I will start on her collected short stories. What a treat that will be.

Tessa Hadley’s top ten short stories can be found here. Her list is dominated by established novel writers: DH Lawrence, Elizabeth Bowen, Nadine Gordimer, John McGahern, but includes stalwarts such Anton Chekhov, Katherine Mansfield, Franz Kafka and, of course, Alice Munro. She has identified particular stories.

Which stories and writers would you recommend? What have you enjoyed? Are you a writer of short stories?

To subscribe and receive email notifications of further blogposts please enter your email address in the box at the top of the column on the right.

6 Comments

Filed under Reading