Rebecca Solnit is a writer I admire very much. She writes beautifully and she writes about important things: walking, hope, distortions in public life, feminism, and above all about the importance of having a voice. This theme runs through all her writing. You will find links to several posts that refer to her work at the end of this one.
About a year ago Lithub.com published How to Be Writer: 10 Tips from Rebecca Solnit. In every one of her 10 tips there was some wisdom and wit. If you are a writer you might do no better than read the original: here.
How to be a writer
I like to read books about writing, and books for writers. I like to read the advice of writers I admire, including Rebecca Solnit even if they say the things I have heard before, seen everywhere. Here are my responses to her tips:
Write and read
To be a writer you must write and you must read. Thanks also to Stephen King (1999) On Writing, Anne Lamott (1994) Bird by Bird, Francine Prose (2006) Reading Like a Writer and to many other writers. To write well you must write, write lots, write frequently, write more. And you must read, read recently published books and read from the past, read in your field and outside it, read for pleasure and to critique. Read.
Writing is more than typing
I love Rebecca Solnit’s claim that writing is more than typing because it gives me a reason to walk on Dartmoor or by the sea, to visit places, to talk to people about my writing and to practice my developing skills as a writer.
Remember that writing is not typing. Thinking, researching, contemplating, outlining, composing in your head and in sketches, maybe some typing with revisions as you go and then more revisions, emendations, additions, reflections, setting aside and returning afresh, because a good writer is always a good editor of his or her own work.
All those actions – 12 of them listed above – are necessary. I was involved in all of these this morning as I grappled with redrafting the opening scene of a short story. I related particularly to emendations, additions, reflections, and now the draft sits waiting for the next time I work on it, set aside.
Pay attention to your own feedback
Listen to your own feedback and remember that you move forward through mistakes and stumbles and flawed but aspiring work, not perfect pirouettes performed in the small space in which you originally stood.
Pirouettes indeed! But yes, and this is difficult, learning to listen to your own responses to you writing.
I read the sentence again and note the perfect rhythm of the sentence. And also that it perfectly captures the difference between learning to develop capacity and skill and learning to perform for a test or for popularity.
You need some time, some passion and a little joy
All writers know this, but it’s good to say it out loud, or to write it down:
It [writing] takes time. This means you have to find the time.
And you need to believe in what you are writing, so this requires passion and joy:
If you’re not passionate about writing and about the world and the things in it you’re writing about, then why are you writing?
Good question. And you need to bring the joy to bear when you might not feel up to the writing, when inspiration is lacking, and around you everything is depressing.
And finally, and perhaps most importantly, and referring back to the importance of voice she says:
The process of making art is the process of becoming a person with agency.
The artist produces meaning rather than consuming it.
Thank you Rebecca Solnit.
And I shall be I the audience when you visit Bristol on 1st November 2017. Rebecca Solnit will be in more places in the UK around that time.
How to Be Writer: 10 Tips from Rebecca Solnit on Lithub.com
Hope in the Dark: Untold Histories, Wild Possibilities by Rebecca Solnit in January 2017
The Faraway Nearby by Rebecca Solnit
Men Explain Things to Me and other essays by Rebecca Solnit (2014) Granta. I posted on Bookword about this book and mansplaining in May 2015
The Mother of All Questions by Rebecca Solnit, published by Granta, September 2017.
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