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Potterism by Rose Macaulay

About 100 years ago Lloyd George, the wartime UK prime minister, was accused of selling peerages. Sound familiar? In this novel, one was awarded to Mr Potter, the founder of a chain of publications that had done exceptionally loyal work during the war. Another current concern that has its roots in those days was the attitude, in the press as much as in wider society, of British exceptionalism, ‘we hate all foreigners’ (47). Potterism, published in 1920, was Rose Macaulay’s 10th novel and her first best seller. Rose Macaulay had something to say about this attitude, especially when expressed as anti-Semitism. She was an advocate of values, truth and integrity. 

I am grateful to Kate Macdonald for the advance copy from Handheld Press. Potterism is published on 24thAugust 2020 as is a collection of Rose Macaulay’s anti-war writings, including her short novel Non-Combatants and Others, written in 1916.

Potterism: a tragi-farcical tract

Potterism was a kind of attitude which Rose Macaulay tries to define and subvert in this novel. It was named for the publisher of a paper which appeals to low tastes, nationalism and a dislike of others. The Potter publishing empire is complacent, smug, conservative and without concern for the truth. One might have thought it was modelled on Lord Rothermere, a bit like the Daily Mail, only Lord Rothermere himself appears in the novel. 

The Anti-Potterism League consists of a few Oxford intellectuals, including the twin children of Mr and Mrs Potter. Jane and Johnny both dislike what their father’s papers stand for, and their mother’s romantic fiction. Other members of the League include Arthur Gideon, son of a Jewish émigré, Jukes, a clergyman and Katherine Varick, a scientist. 

Gideon is the leader of this group, and has the clearest idea of what feeds Potterism.

… Potterism has, for one of its surest bases, fear. The other bases are ignorance, vulgarity, mental laziness, sentimentality, and greed. The ignorance that does not know facts; the vulgarity that cannot appreciate values; the laziness which will not try to learn either of these things; the sentimentality which, knowing neither, is stirred by the valueless and the untrue; the greed which grabs and exploits. But fear is worst; the fear of public opinion, the fear of scandal, the fear of independent thought, of loss of position, of discomfort, of consequences, of truth. (72)

The start of the novel lays out the relationships between these people and then the war with Germany arrives. Gender divides them as the men volunteer and go off to war, Gideon is wounded, losing a foot. Johnny escapes with no injuries. Mr Potter’s newspapers adopt the most nationalistic and propogandist attitudes they can. Truth becomes less of a consideration still.

No one could say that the Potter press did not rise to the great opportunity. The press seldom fails to do this. The Potter press surpassed itself, it nearly surpassed its great rival presses. With energy and whole-heartedness it cheered, comforted, and stimulated the people. It never failed to say how well the Allies were getting on, how much ammunition they had, how many men, what indomitable tenacity and cheerful spirits enlivened the trenches. The correspondents it employed wrote home rejoicing; its leading articles were notable hymns of praise. In times of darkness and travail one cannot but be glad of such a press as this. So glad were the Government of it that Mr Potter became, at the end of the 1916, Lord Pinkerton, and his press the Pinkerton press. (31-2)

After the war Jane tries to get a job and goes to the Paris peace conference as her father’s secretary where she meets the Adonis that is Oliver Hobart. He did not fight in the war, strings being pulled by Potter to ensure his exemption. He is very beautiful and the editor of the flagship Potter newspaper: the Haste. He begins by courting Claire, Jane’s older sister, but soon transfers his affections and marries Jane. Arthur Gideon gets a job on the rival paper to the Potterist publication called Fact but it never achieves a wide circulation.

There is then a murder as Oliver Hobart falls downstairs and is killed. Who killed him? Gideon and Jane are in love and each thinks the other responsible. But in the time before the murderer is revealed several people get to put their opinions, including Mrs Potter who assumes it was Gideon because he is a Jew.

All is resolved and Jane is free to marry Gideon. 

Gender in Potterism

Rose Macaulay was a lifelong feminist and through the device of the twins, Jane and Johnny, she captures the different experiences resulting from their different genders. Jane is the cleverer, but it is Johnny who can go and fight and find a job after the war. And he doesn’t have to have babies, an idea which disgusts Jane. Jane is not a very sympathetic character, despite being a member of the Anti-Potterism League. She is greedy and selfish and not much concerned about anyone but herself. 

The scientist, Katherine Varik, appears calmer than Jane, and less greedy and selfish. Her voice is one of reason. At home she continues her scientific experiments in her laboratory, despite the uncertainty in her circle. There are not many female scientists in literature of that time I think.

Structure in Potterism

The first and last sections of this novel are narrated by RM (Rose Macaulay?). The central chapters are narrated in turn in the first person by Gideon, Leila Yorke (which is the pen name of Mrs Potter), Katherine Varik and Laurence Juke, who has become a deacon in the Anglican church despite being a bit of a radical. By using these voices the writer is able to emphasise different aspects of her concerns. For example, the section narrated by Leila Yorke is so full of conceitedness, so smug, so anti-Semitic that one cringes on reading it. We know, then, that Mrs Potter’s conclusion that the murder was committed by Gideon is not founded on anything more than prejudice. Both Juke and Katherine offer less histrionic versions of the events. 

This use of multiple inner voices was somewhat new at the time. Virginia Woolf uses it in Mrs Dalloway, published 5 years after Potterism. In that novel the shifts between voices are made without the signposts that are given to the reader by Rose Macaulay.  

Rose Macaulay

Here is another prolific twentieth century woman writer, and one who has been somewhat neglected in the last 50 years. Born in 1881 Rose Macaulay lived until 1958, having written 23 novels and a great deal of journalism, and other works. Potterism (her 10th novel) was one of the first to sell well, but perhaps her best known is The Towers of Trebizond (1956). She was well respected in her lifetime, but her popularity has not been sustained. It is good that Handheld Press is reissuing her work, bringing her to our attention, for she had some important things to say. And she has things to say to us today, as I have tried to indicate. And Handheld books are beautifully produced and designed. 

Potterism: a tragi-farcical tract by Rose Macaulay, first published in 1920 and reissued by Handheld Press in 2020 with an introduction by Sarah Lonsdale. 247pp

Other relevant on-line commentaries

Stuck in a Book reviewed Potterism as part of the #1920Club in April. And the publisher of the new edition wrote about it on her blog katemacdonald in January 2015 and has suggestions for further reading.

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