Tag Archives: Miss Mole

Books with Mrs or Miss in the title

What on earth accounts for the popularity of posts on Bookword blog, reviews of novels with Mrs or Miss in the title? Perhaps these books sell better as well. I can see no particular connection, except that nearly all the books I mention are by women. But then I tend to read more books by women than men. Perhaps you can find some connections?

Here are some brief notes and links to any posts on Bookword.

Mrs Palfrey at the Claremont by Elizabeth Taylor (1971)

This novel has always been one of the most popular in the older women in fiction series. It concerns a widow with a neglectful family who becomes a resident at the Claremont Hotel in London. She feels the need to impress the other residents and so invites a young acquaintance to pretend to be her nephew. The pains of old age are deftly drawn as the story reaches its conclusion. You can find the longer review here.

Mrs Dalloway in Bond Street by Virginia Woolf (1922)

This is actually a short story, an early experiment in stream of consciousness, a technique to convey the layers, textures, and loops of consciousness experienced by Clarissa Dalloway. She leaves her house, meets an old friend, remembers the death of another, notices the other people in Bond Street and enters the glove shop. The post about the short story can be found here.

Mrs Dalloway by Virginia Woolf, first edition via WikiCommons

Mrs Dalloway appeared three times in Virginia Woolf’s writing: this short story, the novel that bears her name in 1925 and in her early novel The Voyage Out (review can be found here).

Miss Ranskill Comes Home byBarbara Euphan Todd (1946)

This is a Rip Van Winkle story by the creator of Worzel Gummage. Miss Ranskill returns home to find Britain in the middle of World War Two. She is startled by significant changes, in topics of conversation and vocabulary, the necessity of coupons to buy clothes and food, the need for blackout and the daily concerns of middle class women. Readers were being invited to look again at things they took for granted and to reassess their reactions and their values. You can read more about this novel here.

Miss Mole by EH Young (1930)

Miss Mole is an unlikely heroine, especially for the 1930s. She is not very young, pretty, innocent or socially well placed. She seems to delight in being less than straightforward. She takes on the housekeeping for a difficult family and helps them all. The novel is concerned with the nature of morality and the contrast between received morality, socially accepted behaviour and Miss Mole’s true morality. The review can be found here.

And you might also like …

Miss Pettigrew lives for a Day by Winifred Watson (1938)

Published by Persephone Books this charming Cinderella story takes a governess of restricted experience and plunges her into the high life in London as the right hand woman for a nightclub singer, Miss La Fosse. I do not know of anyone who read this book and who had a bad reaction to it.

There are also books with Mr in the title

Mr Loverman by Bernardine Evaristo

Mr Darwin’s Gardener by Kristina Carlson and translated by Fleur Jeremiah and Emily Jeremiah

Fantastic Mr Fox by Roald Dahl

Mr Penumbra’s 24-hour Bookstore by Robin Sloan

The Talented Mr Ripley by Patricia Highsmith

Mister Pip by Lloyd Jones

The Mr Men series by Roger Hargreaves

And no doubt you can think of many more books with Mrs, Miss or Mt in the title, including some to recommend.

Please repeat your subscription request as recent difficulties with this blog resulted in the loss of previous ones. To subscribe and receive email notifications of future posts on Bookword  please enter your email address in the box.

6 Comments

Filed under Books, Elizabeth Taylor's novels, Older women in fiction, Reading, Reviews, Virginia Woolf

Miss Mole by EH Young for her birthday

A Birthday Book of Underappreciated Lady Authors. That’s the kind of title that catches my attention. The post by Jane on beyondedenrock blog was about celebrating birthdays of the more neglected women writers, so I decided to join in, in an ad hoc way. Here’s my first offering – some thoughts about EH Young’s novel Miss Mole to celebrate her birthday. She was born on 21st March in 1880, and this novel was published in 1930. This is a revision of my original post from June 2015.

Emily Hilda Young by Howard Coster 1932. National Portrait Gallery (22909) used under Creative Commons Agreement

Miss Mole by EH Young

Miss Mole is an unlikely heroine, especially for the 1930s. She is not very young, pretty, innocent or socially well placed. At the start of the novel she seems to delight in being less than straightforward and we wonder what will become of her over the next 288 pages. But she quickly captivates us and we are charmed by her resilience and resourcefulness.

The novel is set in Radstowe, modelled on Bristol. Although Miss Mole loves the city, she was brought up on a farm, and now must find her living among people who have tight rules about what is appropriate behaviour, especially for women.

The Story

We meet Miss Mole as she is about to be dismissed from her position as a lady’s companion. She has more or less engineered the dismissal, as she is bored and unhappy to be reduced to living at the beck and call of an old woman with restricted interests. Miss Mole does not like to be demeaned.

Hannah Mole has a cousin, Lilla Spenser-Smith who is anxious that her relationship with a mere domestic should not be known, and so finds Miss Mole a position as a housekeeper with a non-conformist widower, the Reverend Corder, and his children. The family would be called dysfunctional today. After some initial difficulties, Hannah finds ways to gain the trust of the children and to help them through their difficulties. Her position as a housekeeper provides her with the opportunity to do good within the Corder household.

The reader gradually understands that Hannah hides a secret, unknown even to Lilla. It is a secret such that if it were revealed she could not be employed as a domestic servant, and she would be ostracised in Radstowe. The tension of the novel increases as the revelation of this secret creeps closer, threatening to undermine her work within the Corder family.

Hannah understands how people judge others and make mistakes. Her secret results from her own mistaken judgement.

’Not the thing itself, but its shadow,’ she murmured, as she saw her own shadow going before her, and she nodded as though she had solved a problem. She judged herself by the shadow she chose to project for her own pleasure and it was her business in life – and one in which she usually failed – to make other people accept her creation. Yes, she failed, she failed! They would not look at the beautiful, the valuable Hannah Mole: they saw the substance and disapproved of it and she did not blame them: it was what she would have done herself and in one case when she had concentrated on the fine shadow presented to her, she had been mistaken. (9)

Miss Mole

Hannah Mole is not quite 40, a single woman with great independence of spirit, not always apparent to people she meets. She is described in the first chapter in this way.

She stood on the pavement, a thin shabby figure, so insignificant in her old hat and coat, so forgetful of herself in the enjoyment of the scene, that she might have been wearing a cloak of invisibility … (10)

We are soon made aware of Hannah’s resourcefulness, playfulness and creativity. We discover that she is a woman of integrity. In the first chapter she helps prevent a suicide. She is quiet about this event although it brings her into contact with people who appreciate her: Mrs Gibson who provides temporary lodgings and friendship, Mr Blenkinsop who is struck by her liveliness of spirit. Much of the pleasure of this novel derives from her approach to life, and especially her psychological insights into the Corder family. She is not without faults, getting locked into a battle with the Rev Corder, which she realises she has undertaken in order to score points.

Like many women of her age, situation and time she has a struggle to survive and time is not on her side. As she walks at night towards her new position in the Corder household she is visited by a brief moment of fear.

What was to become of herself? Age was creeping on her all the time and she had saved nothing, she would soon be told that she was too old for this post or that, and, for a second, fear took hold of her with a cold hand and the whispering of the dead leaves warned her that, like them, she would soon be swept into the gutter and no one would ask where she had gone, and her fear changed into a craving that there would be at least one person to whom her disappearance would be a calamity. ‘No one!’ the leaves whispered maliciously, while a little gust of laughter came from the bushes, and at that, Hannah paused and looked disdainfully in their direction. She was not to be laughed at! She was not to be laughed at and she refused to be frightened. (51)

The Style

EH Young’s style in Miss Mole reflects Hannah’s lack of clarity at the beginning and her increasing sense of herself and her own integrity. Episodes, fragments of memories, scraps of information are given to us in small pieces. We do not quite understand that Hannah has saved a life between stepping out to buy a reel of cotton and meeting with her cousin Lilla in the first chapter.

This mode of telling the story reflects Hannah’s character. While she is resourceful and lively, she has to guard herself, and her past, to live a little like the mole after which she is named. She is a complex character and develops through the novel so that by the final chapters we are aware of her true value.

The Themes

The book deals with the nature of morality and the contrast between received morality, socially accepted behaviour and Miss Mole’s integrity. She does good to so many. She knows that they would reject her if they learned about her secret, and so she is a challenge to the restrictive teachings of the church, the social attitudes of Lilla and Lilla’s social set.

EH Young herself had an unusual domestic arrangement – a ménage a trois. She kept this secret for 40 years. She knew something of the tensions between secrecy and truth, appearances and integrity.

Miss Mole by EH Young (first published in 1930) republished in 1984 as Virago Modern Classic with an introduction by Sally Beauman. 288pp

To subscribe and receive email notifications of future posts on Bookword please enter your email address in the box.

 

2 Comments

Filed under Books, Reading, Reviews

Miss Mole by EH Young

Miss Mole is an unlikely heroine, especially for the 1930s. She is not very young, pretty, innocent or socially well-place. She seems to delight in being less than straight forward in the early part of the novel, and we wonder what will become of her over the next 288 pages. But she quickly captivates us and we are charmed by her and by the novel.

The novel is set in Radstowe, modelled on Bristol. Although Miss Mole loves the city, she was brought up on a farm, and now must find her living among people who have tight rules about what is appropriate behaviour, especially for women.

182 Miss Mole coverThe Story

We meet Miss Mole as she is about to be dismissed from her position as companion. She has more or less engineered the dismissal herself as she is both bored and unhappy to be reduced to living at the beck and call of an old woman with restricted interests. Miss Mole does not like to be demeaned.

Hannah has a cousin, Lilla Spenser-Smith who is anxious that her relationship with a mere domestic should not be known, and so finds Miss Mole a position as a housekeeper with a non-conformist widower, The Reverend Corder, and his children. The family would be called dysfunctional today. Miss Mole finds ways to gain the trust of the children and to help them through their difficulties. Her position as a housekeeper provides her with the cover to do good within the Corder household.

The reader gradually understands that Hannah hides a secret, unknown even to Lilla, that if revealed would mean she could not be employed as a domestic servant, and that she would be ostracised by the Radstowe community. The tension of the novel increases as the revelation of this secret creeps closer, threatening to undermine her work within the Corder family.

Even to begin with Hannah Mole’s strategy is hardly effective.

’Not the thing itself, but its shadow,’ she murmured, as she saw her own shadow going before her, and she nodded as though she had solved a problem. She judged herself by the shadow she chose to project for her own pleasure and it was her business in life – and one in which she usually failed – to make other people accept her creation. Yes, she failed, she failed! They would not look at the beautiful, the valuable Hannah Mole: they saw the substance and disapproved of it and she did not blame them: it was what she would have done herself and in one case when she had concentrated on the fine shadow presented to her, she had been mistaken. (9)

Miss Mole

Hannah Mole is not quite 40, a single woman with great independence of spirit, not always apparent to people she meets. She is described in the first chapter in this way.

She stood on the pavement, a thin shabby figure, so insignificant in her old hat and coat, so forgetful of herself in the enjoyment of the scene, that she might have been wearing a cloak of invisibility … (10)

We are soon made aware of Hannah’s resourcefulness, playfulness and creativity. We discover that she is a woman of integrity. It is revealed that she has helped prevent a threatened suicide. She herself is quiet about her actions although they bring her into contact with people who appreciate her: Mrs Gibson who provides temporary lodgings and friendship, Mr Blenkinsop who is struck by her liveliness of spirit. Much of the pleasure of this novel derives from her approach to life, and especially her psychological insights into the Corder family. She is not without faults, getting locked into a battle with the Rev Corder, which she realises she has undertaken in order to score a point.

Like many women of her age, situation and time she has a struggle to survive and time is not on her side. As she walks at night towards her new position in the Corder household she is visited by a brief moment of fear.

What was to become of herself? Age was creeping on her all the time and she had saved nothing, she would soon be told that she was too old for this post or that, and, for a second, fear took hold of her with a cold hand and the whispering of the dead leaves warned her that, like them, she would soon be swept into the gutter and no one would ask where she had gone, and her fear changed into a craving that there would be at least one person to whom her disappearance would be a calamity. ‘No one!’ the leaves whispered maliciously, while a little gust of laughter came from the bushes, and at that, Hannah paused and looked disdainfully in their direction. She was not to be laughed at! She was not to be laughed at and she refused to be frightened. (51)

The Style

EH Young’s style in Miss Mole reflects Hannah’s lack of clarity at the beginning and her increasing sense of herself and her own integrity. Episodes, fragments of memories, scraps of information are given to us in small pieces. We do not quite understand that Hannah has saved a life between stepping out to buy a reel of cotton and meeting with her cousin Lilla in the first chapter.

This mode of telling the story reflects Hannah’s character. While she is resourceful and lively, she has to guard herself, and her past, to live a little like the mole she is named for. She is complex character and is developed through the novel so that by the final chapters we are aware of her true value.

The Themes

The book deals with the nature of morality and the contrast between received morality, socially accepted behaviour and Miss Mole’s true morality. She does good to so many. She knows that they would reject her if they knew the truth about her, and so she is a challenge to the restrictive teachings of the church, the social attitudes of Lilla and her set.

EH Young herself had an unusual domestic arrangement – a ménage a trois. She kept this secret for 40 years. She knew something of the tensions between secrecy and truth, appearances and integrity.

 

Eric Ravillous, Two Women in a Garden, 1933

Eric Ravillous, Two Women in a Garden, 1933

Miss Mole was recommended for the older women in fiction series. I wonder what it was about Hannah Mole that mislead the memory of that reader: she is a spinster, independent, a little down on her luck? But the happy ever after ending is unlikely to have been given to a woman of 60+, especially in the 1930s.

Stuck in a Book blog reviewed this book with enthusiasm here.

I also recommend the introduction by Sally Beauman.

Miss Mole by EH Young (first published in 1930) republished in 1984 as Virago Modern Classic. 288pp

 

To ensure you don’t miss future blogposts please subscribe to email notifications by entering your email address in the box.

4 Comments

Filed under Books, Older women in fiction, Reading, Reviews