Such a seductive title that, how to get published. It was the catchy headline for a conference organised by Writers & Artists in Plymouth in December 2017. Was it possible that the answer, the key, the secret to getting published was on my doorstep? Always positive, always hopeful, I paid my money and I travelled to Plymouth University.
My main purpose was to find something helpful so I can make a decision about publishing my novel. Yes that novel, the one that has been going in and out of drawers for several years, and which I am currently engaged in moving from a first draft into a much improved second draft. All that editing is very absorbing, and I have hardly looked up to consider what will happen after this stage. Should I publish or not? I found an answer – see below.
How to Get Published Conference
The day was largely a series of talking heads, people who knew about the business of getting published. We heard about editing and plotting from two novelists (Wyl Menmuir and CL Taylor). We were given guidance on openings from another prolific writer (Joanna Nadin). Two literary agents helped us think about submitting our work to an agent (Kate Johnson and Juliet Pickering). Alysoun Owen, editor of Writers’ & Artists’ Yearbook, provided information about the current state of publishing and real books. And the CEO of Literature Works, Helen Chaloner, brought us up to date about bookish activities in the South West.
It’s hard listening to seven different speakers, not a great model for learning. The best sessions were those which included activities, the ones in which we worked on opening sentences, writing elevator pitches, evaluating successful and unsuccessful pitches. There were plenty of helpful hints and tips and Q&A opportunities.
Some guidance was not quite so helpful. ‘Always finish everything you start,’ Wyl Menmuir quoted Neil Gaiman. People nod as if the advice is obvious, like proofreading your pitches. It seems crazy advice to me: if I followed this guidance I would still be working on all those teenage novels, formless, angsty, the tone breathless, and still trying to get them into shape. It seems to me that knowing when to leave some writing behind is a skill worth cultivating.
A conference is also about meeting other people, and it is always enjoyable to hear about their projects. Some of the elevator pitches were most impressive, and intriguing, as they should be.
Over the years I have come to see that writers need to pay attention to guidance from the professionals to get published. It’s all about the book, we were told more than once. And we saw how despite the solitary nature of most writing, the publication of a book is about the cooperation and complementary work of many different people. The word trust, especially in relation to the agent-author relationship, was frequently emphasised.
Confronted by those successful writers and agents, and sitting among ambitious writers displaying loads of confidence, it’s hard not to feel that it all applies to everyone else. My work doesn’t follow the three act structure, the MC doesn’t have a clear and thwarted want. My pitch is currently rather tame. In short, impostor syndrome is alive and well even if my inner critic is uncharacteristically quiet. [IC: I don’t need to say anything – IS is doing it all for me.]
TLC have recently been circulating the following rejection letter,
10/4/28 Mr F. C. Meyer, Wells Street, KATOOMBA. Dear Sir, No, you may not send us your verses, and we will not give you the name of another publisher. We hate no rival publisher sufficiently to ask you to inflict them on him. The specimen poem is simply awful. In fact, we have never seen worse. Yours faithfully, ANGUS & ROBERTSON LTD.
TLC is suggesting that such brutal honesty should be accompanied by helpful advice. There now exist many helpful strategies for writers to seek out, including mentoring (see TLC, W&A, Gold Dust and many more).
And if you took a sharp breath on behalf of Mr Meyer, let me remind you (and me) that it is all about the book. The best antidote to impostor syndrome is to repeat: the book is not me, the book is not me.
For my own part, it was a coffee-time conversation that led me to move my decision forward. I shall take the next steps, finish this edit and seek further professional guidance about my novel. I have nothing to lose, and lots to learn.
Go to Artists & Writers website for details of more dates for similar events, mentoring services and so on.
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