Tag Archives: Gallimaufry

Missing my writing group

I miss my writing group. We have not met in person since March, six months ago. The Coronavirus pandemic has postponed or cancelled some of the good things planned for this year, including an away day to work together on writing.

The Writing Group

I have been in this writing group since it started 7 years ago. The librarian called together some local writers and we formed our group. We have retained the library connection because we want people to be able to join in, as freely as they visit a library. It’s open to all. We only have one rule: don’t put yourself or your writing down. (None of this ‘it’s very rough really and I think you’ll hate it,’ or ‘I’m not sure about this, I’m not as experienced as the rest of you,’ and so on. It’s surprising how hard it is to wean people off this way of introducing their writing.)

Over the years we have achieved some rewarding things. We produced an anthology of our writing called Gallimaufry. We sold it to the public for £5 a copy, using the marketing ploy that it was an excellent Christmas present. We put our oldest and whitest haired members to the front and stood in the library entrance and sold them. 

It was a good experience. We learned a fair bit about producing a book and although it did not raise any funds for the group we were proud of our efforts.

Then there was the evening when brave members performed their work. We celebrated our 4th birthday with a brilliant bookish cake. We were not quite brave enough to open this to the public, but the event was attended by tolerant and appreciative friends and relations. 

Emboldened by all this, and wanting to try new aspects of sharing our work in the community, we decided to host a one day writing festival. None of us had realised what a step up that would be. It tested our organisational skills and rather got in the way of writing for the committee members. 

But in September 2019 we hosted about 100 local people to attend 12 workshops, some readings, a school’s writing display, a sale of books, and a poetry slam. It was a great success 

The feedback was positive. No we wouldn’t be doing this annually. We might repeat some of the activities. We needed to recover. We got ourselves sorted to use our funds for various activities, all aimed to support writing by people in the community and –

Covid-19 locked us down.

Writing in a pandemic

It’s been hard, writing in this pandemic, or rather not writing. Like many people I wrote a lockdown diary. I stopped after 4 months because I felt that my life was being prescribed by the virus. I began to feel that I should make my life be about more than Covid-19, that I would take account of the pandemic of course, but not be more defined by it than necessary. 

I have continued with my Morning Pages. I follow a modified version of the recommendation in The Artist’s Way by Julia Cameron. I start every day with Morning Pages. It helps me reflect on my writing and my reading and other activities important for my mental health. 

And I have continued to post on this blog every 5 days. Bookword was launched in December 2012, and I have since posted 613 times. Most of those posts are about books, but a fair number are about writing and publishing. I have no plans to stop soon.

Recently I felt frustrated by my lack of writing. I stopped wondering why I wasn’t getting on with my short story. They always take me a long time, but this one was largely conceived in November 2019. I have written perhaps two thousand words, some of it very poor and written just to get something down. So I decided that I would write 500 words a day. That’s roughly two handwritten sides of A4. I have been doing that since the beginning of September and enjoyed it. Some of it is memoir. Some of it is comment on what’s happening. Some is more like an exercise, a description or a response to a prompt.

And I have decided to take advantage of some on-line writing courses. I love writing courses, although I did feel at one point that I was a course junky and that attending courses was replacing or displacing my writing activities.

And in the last two or three months the writing group has been meeting on zoom. Or rather a few of us have been meeting on zoom. Usually one of us volunteers to offer a prompt and then we write together and read the results of our efforts. There is always laughter and always lots of praise and encouragement. We were just thinking that we might meet in person in a suitably distanced way when the rule about meeting in groups of six as a maximum was introduced. 

We are at the point of thinking about some variations in the way we use the zoom facility to share our work on the chat or screen share facility, using the audio and visual possibilities and so on.

So now I know

So now I know that my writing group, in person, round a table, with people who I know only as writers (often nothing more about them, their families, jobs, where they live etc etc) is important for my writing and that I will want us to operate again as we did when this is over.

What I like about the group is the stimulus, the laughter, the audience, the critique and above all the community.

Tell us what do you need from a writing group?

Related posts

Gallimaufry or why my writing group is cock-o-hoop (January 2016)

A Writing Festival – why would you organise one?

A Birthday for Our Writing Group

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A Birthday for Our Writing Group

There’s nothing like a good celebration for reminding us how much we have achieved. Our writing group decided to turn our performance project into a celebration for our fourth birthday. It is always good for a group to celebrate. And for a birthday party we needed cake.

Celebration

Founded four years ago in September 2013 by the librarian, a group of writers have met every fortnight, on a Saturday morning, to read our work to each other, receive critical comments and discuss issues and challenges we face. The writers are a diverse lot. They include a gardener, care worker, home tutor, counsellor, IT expert, bowls player, theatre producer, artists, teachers, psychologist, editor, journalists, filmmaker. Some are established writers, others are beginners.

Two years ago we published a collection of our writing, Gallimaufry, covering our costs by selling copies, suggesting they made good seasonal presents. We could have repeated the success and produced Gallimaufry2, but we wanted to get our work heard in a different way. We like to stretch ourselves to see what we can learn from different experiences.

We chose a live performance, but many in the group did not have confidence to read to the public, so we limited our audience by invitation. And then we set about arranging the event.

Organisation

Our group prides itself on its loose organisation. We have no leader, no secretary, and any decisions are made by whoever is present at a meeting. Action is taken by volunteers, who scope out venues, bring equipment, agree to take on roles, and to undertake tasks.

When we reviewed the event, one of our writers reflected that we organised the Birthday Celebration much as we write. There is an initial idea, we explore it further, perhaps taking a turn around a short deviation, revisiting the ideas, and then moving forward tweaking and polishing as we go.

And so it was. Someone found the function room above the local pub, we all brought something to read up to a limit of 10 minutes, we drew up the programme together. By email we ensured that it said what people wanted it to say. We worked out that we needed to pay £3 each to cover the cost of the venue, but we didn’t want to make a profit. What would we do with it?

One of our technical experts provided a sound system, I brought a music stand, someone else provided a light to clip to the stand. Our radio experts have recorded the event to draw on for their local radio programme. And Thelma provided the cake. We set about inviting our audience.

Celebrate!

And on the night it was all a great success. We had loaded for success, by asking Thelma to launch us with one of her Tasteless Verses.

And we were off! Poems, short stories, memoirs, all steered by our two MCs. My own contribution was a section of a long short story. We pride ourselves on the variety of our writing. Thelma was also our closing star reading more verse before we did a round of story tag involving willing audience members (aged 9 – 93). There was plenty of laughter, intense listening, nervousness and sense of achievement. The evening had a delightful air of playfulness and lightness. We did it! We entertained about 40 people for an evening.

And what did we learn?

Performance is different from reading within the group. It needs more polish and practice.

We realised that the attentiveness of the audience was partly due to the close listening we practise in our normal sessions.

And we thought perhaps we might go on tour next: to village WIs, church tea or coffee concerts, libraries, schools, any one who will have us really. Or do something else new to us. Or both.

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Gallimaufry or why my writing group is cock-o-hoop

Gallimaufry. Say it out loud to hear the skip in the middle of the word, like a sedate court dance. Gallimaufry is a late medieval word, probably from the French, meaning a ridiculous medley, or a hodge-podge of odds and ends. It is the title of the anthology by The Totnes Writing Group. We took delivery of 100 copies on 1st December last year. The group had been working towards this for about four months. The copies were impressive: the cover and the piles. The writers present felt immense pride at an ambition achieved, and a successful project completed.

228 Galli cover

The Group

The group was started in 2013 as a library initiative – those libraries again. (see next post on 5th February). The writers are a diverse lot. They include a gardener, care worker, home tutor, counsellor, IT expert, bowls player, theatre producer, artists, teachers, psychologist, editor, journalists, film maker. Some are established writers, others are beginners. A motley group of 15 writers had produced a collection of 36 poems, short stories, memoirs, reflections and illustrations. My own contribution was a short story.

228 Writers group

Most of the stress of the project was carried by Fiona Murray who edited the book, dealt with the printers, and all the complaints of writers who had commas and fonts adjusted without their say-so.

Why we did it

Writers like having readers and for many it is the reason they write. Although members read their work to the group, which is important, many of us also seek a wider audience. We began to ask ourselves, why don’t we publish a book of our own writings and then used the skills within the group to find a way to do it.

The anthology provided protection and support for those who love writing but do not want to stick out and who suffer from lack of confidence about going public with their writing. It’s a bit like singing in a choir, one of our members observed. If we publish again we hope more writers from our group will contribute.

What the group learned

At our New Year meeting the group identified the following learnings:

Feedback from our readers suggests that the diversity of themes, styles and genres is an attractive feature of the collection. We did not have a theme although if a writer wanted one we suggested ‘Totnes’. This is pretty much how our group operates – loosely.

The cover and overall professional look added greatly to the attractiveness of the anthology. The silk collage used for the cover was made by Fiona Green, a member of the group.

Writers selected the pieces they wanted to contribute. The editor did not choose what to include. We set an initial 2000 word limit and later, when we worked out we could include more for the same costs, a few people contributed additional material.

The experience of writing is lonely. Our warm, supportive group made one aspect of writing – the production of the anthology – a social process for our writers. Social support is something we all value in the writing group.

Writing is often ephemeral and the production of the collection meant that words took a more permanent form for the contributors. Seeing our work on paper, and alongside the other contributions, made us feel more confident about our writing. It has also made us question our current practice. At the moment the writer reads aloud their text for which they want feedback. Perhaps we should have hard copies of the written text because seeing a poem or short story in print is different from hearing it.

The production of our anthology has made us question the purposes of our group. Are we in a new phase? Do we want to launch into another publication, even one in a different format, or do we want to focus a little more on writing processes?

What we need to think about if we do this again

Some of our practical decisions indicate a lack of experience. We could have thought further ahead about costings, publicity and sales. Since our purpose was not to raise money, but to provide a platform, some of that seemed less important. We still have a dozen copies from our print run. We are on the point of breaking even!

The sales team having some success.

The sales team having some success.

Our frustrations (carried by our noble editor) about the printer’s inability to make corrections without causing further unwanted alterations to the text suggest we need to build in more time and more support for proofreading. We wanted a local printer, but we might look for a more responsive one.

And what would be the purpose of a further publication? Do we want to be cherished by the local community? Do we want to be better known as a creative group, and to contribute to the local creative community?

Overall

We learned so much about publishing that I would recommend the process to anyone who wants a modest platform for their writing.

I acknowledge the contribution of our discussion within the group about what we learned in the writing of this post. However I have not attempted to define what the group thought. We are a diverse lot and we seldom agree on everything, but this project was A GOOD THING.

Gallimaufry, edited by Fiona Murray, 87pp. Price £5. Published December 2015.

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