Tag Archives: Faber Academy

The Killing of Bobbi Lomax by Cal Moriarty

Three bombs exploded within 24 hours, even before this book started, and a fourth on page 158. Who on earth wanted at least four apparently unconnected people killed in Canyon County in 1983?

165 Killing of BLThis is the first of Cal Moriarty’s ‘wonderland’ series. She is due for exposure in the Faber Crime series. She is a graduate of Faber Academy’s Writing a Novel course. As were SJ Watson, Before I go to Sleep and Rachel Joyce, The Unlikely Pilgrimage of Harold Fry.

Some of the plot without spoilers

I found the plot somewhat Byzantine and hard to get into, but after a few chapters I got the hang of the main issues and the structure. We are in 1983, in the US, in a remote city dominated by a mysterious cultish organisation called The Faith. Like many cults they have enemies (including a breakaway group called the Real Faith) and a history to give the ruling fathers authority, the very creepy Order of the Twelve Disciples. As with many faith-based movements, their claims to power are founded in the documents that have survived from their past. It is upon this that the plot turns.

And being 1983 there are no mobile phones (only pagers) and no helpful internet. So our detectives have a great deal of legwork to do. We are helped to understand their quest by following their investigations in the 5 days after the third explosion. But also by an interwoven plot thread that follows one of the bomb victims from the summer of the previous year.

Some of the characters are easily recognizable as inhabitants of planet US police fiction.

  • The hard-bitten detective, Marty Sinclair (described as a veteran detective), who has lost people close to him,
  • His Latino side kick, Al Alvarez. There is a deep bond between them as a result of being long-term cop partners,
  • The attractive red-haired divorcee, Marion Rose, who quickly takes a shine to Marty,
  • Ziggy, who lives in a house built of books (brilliant detail),
  • The Captain in thrall to The Faith,
  • Rod and Ron Rook who deal in coins and antiquarian books,
  • The crook who married the much younger woman, scorning his wife of two decades …

But there are some interesting and original plot details.

  • Ziggy’s house,
  • The use of the theme of Alice in Wonderland …
  • … and of Edgar Allen Poe,
  • The details of the forger’s trade,
  • The mysterious Order of the Twelve Disciples who run The Faith,
  • And Mesmerism.

Actually this last element stretched my credulity too far. The story did not require Mesmerism, it could have stood up without it.

Loose ends

Having managed to keep the story, including the plot against the Faith, clear in my mind I was sorry that I did not find out what happened to the good guys: the two detectives and the redhead. In the postscript Abraham City, several years later there is no mention of them. They are no doubt being saved for the sequel, after all, as a result of the events in the novel The Faith is …

Come on Faber! The author’s name should figure prominently on the cover. On my uncorrected proof copy it can only be found among the blurb.

Good luck to Cal Moriarty. The Killing of Bobbi Lomax demonstrates that she has a good line in inventive crimes to be solved by an educated and troubled detective. The internet reveals that she has worked as a private eye and that a second ‘wonderland’ novel will appear.


Cal Moriarty, The Killing of Bobbi Lomax. To be published in May 2015 by Faber & Faber 335pp. My pre-publication copy was provided by the publisher.


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10 things to do when you don’t know what to write.

‘I don’t know how to start.’ How many times have I heard that? When I was working with my students on their written assessments they would often wail (or email) in frustration.

Or, ‘I don’t know where to start,’ they might say.

Or (if they had launched out and begun to work on the essay or dissertation, but ground to a halt) ‘I don’t’ know what to do’. Their writing wasn’t working for them.

I had a range of suggestions I would give them, subsequently brought together in a hand-out for a writing summer school. I am indebted to colleagues for many of these ideas. They were originally intended for academic writers, but they have been adjusted to be relevant to writers of all genres.

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1. WRITE 2000 WORDS. Write anything. One advantage of word processing is that you can discard any rubbish, even 2000 words of rubbish. But this tactic gets you writing. (Thank you, Professor Dennis Lawton, former director of the Institute of Education, in the University of London).

2. BRAINSTORM to gather as many good and bad ideas, suggestions, examples, sentences, false starts etc, as you can. Include material you are sure you will throw out.

3. FIND A FRESH METAPHOR OR ANALOGY for your main theme in order to open up a fresh set of ideas, using the word LIKE: for example, if you are writing about violence on TV you might develop the idea that it is like clowns fighting in a circus act (that is, we know that no one is really getting hurt).

4. TELL someone (even the cat) in three or four sentences what you are writing about. Then write it.

5. Write a 200 word (MAX) SUMMARY or description of your story, poem, book, blog … Try including why it’s important to you and why it should be important to anyone else.

6. DO A WIRMI if you can’t find the right word or you are getting lost in what you are writing. A WIRMI is when you look away from the text and keyboard and say (out loud if it helps) What I Really Mean Is … (Thanks Chris Watkins! See CARNELL, E., MACDONALD, J., MCCALLUM, B. & SCOTT, M. (2008) Passion and Politics: academics reflect on writing for publication, London, Institute of Education, University of London).

7. READ ALOUD – to the cat again if necessary – to see where you need to improve a draft. It is better if there is an audience who will respond, but not essential. I know of people who have read to their dog, their new-born baby, their teddy bear, a mirror, a tape recorder. They all helped!

8. USE A CRITICAL FRIEND. Show a draft to a friend and hear their responses and questions. It is probably not a good idea to give a raw first draft to comment on. Use your friend when you have got as far as you can and your writing might first benefit from a pause.

9. REMEMBER that just about everyone finds writing hard, including published and experienced writers. It usually involves head scratching, deleting, false starts, lightbulb moments, redrafting, polishing, checking … Who said ‘writing is rewriting’?

10. READ A LOT AND WRITE A LOT. “If you want to be a writer, you must do two things above all others: read a lot and write a lot. There’s no way around these two things that I’m aware of, no shortcut.” ( KING, S. (2000) On Writing, London, Hodder & Stoughton.) p164

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This suggestion might also work for you: How to battle the blank page, defeat distraction and get started writing. It’s from from Kathryn Heyman, of the Faber Academy, and author of the delightful Captain Starlight’s Apprentice.

 Do you have any techniques to suggest. Please add them in the comment box.

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She’s leaving home …

Indulge me! After 28 years I’m leaving Stoke Newington (North London). My house has been sold, the papers signed, keys ready to hand over and I’m off – tomorrow! What follows are my reflections on my literary time here.

44 Sold

Stoke Newington has always attracted dissenters. The non-conformists of the 1790s lived around Newington Green. I think of them every time I catch the 73 bus (no tubes in Hackney). Focused on the Unitarian chapel, which is still here, a group of radical thinkers met and talked and wrote their views on the repression instituted by the government following the French Revolution. They included Tom Paine, Richard Price, Joseph Priestley, William Godwin and Mary Wollstonecraft. She lived and taught here. There is a wall painting of her on the side of the Unitarian chapel.

44 M Wolst

I made a special study of Mary Wollstonecraft as part of my undergraduate degree, studying with another dissenter, EP Thompson, at Warwick University. Unaffiliated and pursued for a definition of his ideas, he famously announced in one lecture that he was a Marxist Muggletonian.

On Stoke Newington Church Street one of the houses is called Defoe House. Here lived the first novelist, Daniel Defoe. Perhaps he spent the plague years here, for Stoke Newington was a village outside London in the 17th and 18th Centuries. The young Samuel Pepys was sent here as a child, for his health. Defoe was sentenced to the pillory for his writing, but, according to legend and Wikipedia ‘the publication of his poem Hymn to the Pillory caused his audience at the pillory to throw flowers instead of the customary harmful and noxious objects and to drink to his health’. My kind of dissenter, one who turns the tables.

When I came here in the early 1980s houses were cheap (in London terms) and attracted public sector workers, especially teachers and social workers. We were mostly in our 30s. The women of this tribe were called drabbies. Mary Wollstonecraft was the original drabby perhaps. Nowadays it’s renown as a good place to bring up children, and is choked by those up-cycling chops and three wheel drive buggies. Where are the drabbies and dissenters of yesteryear?

They reassemble at the Stoke Newington literary festival, established a few years ago. Unlike other literary festivals, it does not rely on Radio 4-type audiences hanging on the words of (mainly male) news presenters, politicians including members of the House of Lords and tv gardeners turned novelists. Rather the buzz comes from radicals and outspoken thinkers in fiction, poetry, journalism, humour and other cultural areas. Lindsey Hilsum talking about her experiences in Libya, for example. Jacky Kay reading from her short stories. And lots of other original women and men.

And there have been other delights to feed the literary soul: there has been an independent bookshop here for as long as I have walked up the High Street. Independent bookshops are treasures. Stoke Newington Bookshop seems to be thriving. And the library – no praise is too much for the service from London libraries, the on-line ordering service, the ability to reserve books from anywhere in Greater London, the pleasure of seeing the library used day in and day out by Hackney residents. And I have had access to a very wide range of writing classes: two at the Faber Academy in Bloomsbury and several at City Lit. Spread the Word run great workshops and other events.

Moving house is making me nostalgic in another way. Packing up and decluttering my stuff means discovering items from 28 and more years ago. I have come across a collection of juvenilia. But here is my earliest extant writing:

44 diarey



Name: Caroline


Yesterday I went to the fair. I liked the swing-Boats. Mummy could not come. She had to fech granny. I liked it very muech.

Six days later, the second entry shows more grasp of narrative.


Yesterday I had an apple. When I was counting how many bettle holes, on the last one a bettle came out. I went and told mummy. Fuzz [my aunt] came to get it, but when we got there it was gone.

A flurry of misspelling occurred on 25th September:

Yesterday I went to the ceinama. I liked it verey much. I saw a buffaloa. I[t] was lovley.

The first entry was illustrated with a swing-boat and the second with an apple and a bettle making off. It is clear why I stuck with writing (despite my spelling) rather than developing my drawing skills.

The collection also includes several school exercise books of novels – the start of three or four novels, with my favoured nom de plume. There is a playscript or two and copies of the school magazine to which I contributed.

In this house I have written all my published books (on education and on retiring), drafted my novel, edited my short stories, written my assignments, dissertation and thesis for my higher degrees.

The bulk of my books are here, despite considerable de-cluttering. Every morning I sit at my writing table and look out of the window at the cherry tree, the apple tree (both planted since I arrived) and the people in the windows of the houses next door. (I’ll miss you, naked man, getting up every morning at 6.50!) I’m writing my Morning Pages.

I’m giving all this up – Mary Wollstonecraft, the library, my peaceful writing room, but not my books, volumes of morning pages, juvenilia or writing amibitions.

I’m going to a village in Devon – a cottage in a village in Devon. I’ll have a writing room with a view of Dartmoor. It’s a new adventure for an ageing drabby. Normal blogging will resume shortly.

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