Tag Archives: Elizabeth von Arnim

Mr Skeffington by Elizabeth von Arnim

To begin with I thought Mr Skeffington was about ageing. It was recommended as an addition to the older women in fiction series. Then I thought it was about how pre-war society calculated a woman’s value by her looks and how losing her beauty meant losing her status. Then this book turned very dark, with a denouement suitable for the time of publication – 1940. It is about all these things, moving from one theme to another, sometimes in a rather schematic way.

Mr Skeffington

At the start of the novel Fanny Skeffington is rich, approaching 50 and recovering from a bout of Diphtheria. She was rich because of the generous settlement of her husband at their divorce following his infidelities. As she recovers, she finds herself thinking of him a great deal, even imagining him in her house, behind the fish-dish.

Fanny, who had married Mr Skeffington, and long ago, for reasons she considered compelling, divorced him, after not having given him a thought for years, began, to her surprise to think of him a great deal. If she shut her eyes, she could see him behind the fish-dish at breakfast; and presently, even if she didn’t shut her eyes, she could see him behind almost anything. (1)

Up until this point she has been beautiful and men have loved her for it and she basked in their admiration. Fanny enjoyed her independence, which meant being rich and therefore not obliged to remarry.

She seeks the advice of her former admirers in order to set her life right again, which means no longer seeing Mr Skeffington in her house and regaining the admiration of admirers. Here is the formulaic aspect of the novel. She meets her admirers in turn and each one thinks how her beauty is ruined and they no longer wish to put themselves out for her. They recognize no qualities in her, only that she is no longer a beauty. 

Fanny comes to realise that she has lost her looks, and that her beauty was an empty commodity.

Beauty; beauty. What was the good of beauty, once it was over? It left nothing behind it but acid regrets, and no heart at all to start fresh. Nearly everything else left something. Husbands, for instance, left, or ought to leave children, and then one could be busy with them, and with their children. It was, she felt, one of her most just grievances against Job [her former husband] that she was childless. (57)

She finds it hard to know what she can do with her life, her beauty gone, no children or grandchildren to be interested in and her cousins wanting to provide her with a quiet party to celebrate her half century. 

The novel follows Fanny as she is gradually disabused of her value to society, of her beauty and she begins to take account of her advancing years as she meets strangers and former acquaintances and admirers. These meetings are the occasion for a great deal of gentle and comic writing. For example the sister of Miles, an especially eloquent admirer who has become an inspirational preacher in Bethnal Green, is led to believe she is a fallen woman – a prostitute, which in some senses she has been. Then there is the leerily disgusting colonial, a man used to getting his way at all times, who has come back to reclaim and marry the Fanny he remembers, only to fail to recognise her. As they disabuse her of her former powers, she comes to more fully appreciate her strengths. 

Job Skeffington is Jewish. In the early part of the novel we learn that he found it easy to attract money, and her marriage to him helped Fanny to secure her own family’s financial stability. There are also many references to the European Situation, which we learn is bad and getting worse. Finally Fanny learns from George that Mr Skeffington had been in Vienna

Vienna wasn’t exactly a healthy place for a Jew, and he was soon in serious trouble – for a moment George didn’t seem able to go on, seemed to be staring, with horror in his eyes, at something he could hardly credit, – such serious trouble that he was lucky to get away with his bare life, if bare life, said George, his eyes full of that incredulous horror, could be called lucky, and was now in London, and on the rocks. (221) 

By the time her friend and cousin George brings Mr Skeffington to her in person she finds herself able to understand how her life might have more meaning in the future than she had feared. She wants a future being of use to him.

The Older Women in Fiction series features women over 60, so Fanny does not qualify being about to turn 50. But this novel is about ageing and how women brought up to trade on their looks have little currency if that is all they have. Fanny turns out to be made of more.

Elizabeth von Arnim

This was Elizabeth von Arnim’s final novel. She died in 1941 at the age of 74, having escaped the European war for America. She seems to celebrate independent woman, and then to criticise those who value beauty in a woman above all else. But the novel ends on a note warning against valuing appearances. It is somewhat uneven in its tone, with plenty of gentle humour and also a very sombre tone to end as Mr Skeffington returns.

Mr Skeffington by Elizabeth von Arnim, first published in 1940 and reissued by Virago in 1993. 233pp

Related posts

The Enchanted April by Elizabeth von Arnim (on Bookword in August 2017)

Kaggsy’s Bookish Ramblings reviewed Mr Skeffington and remembered the 1944 film starring Bette Davies and Claude Rains.

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The Enchanted April by Elizabeth von Arnim

The Enchanted April is a fairy tale, as you can tell from the title and it is the 28th in the Bookword series of Older Women in Fiction. You can find the others on the page Older Women in Fiction Series, above the heading picture.

Four women, unhappy in their different ways, find happiness and love during the month of April, which they spend together in an Italian Castle on the shores of the Mediterranean Sea. Old Mrs Fisher is lonely, angry and very eager to pick up impertinence in others. By the end of the month she too has succumbed to the enchantments of their month in Italy. Published 95 years ago The Enchanted April remains popular.

The Story

Lotty Wilkins sees an advert for a castle by the Mediterranean, available for the month of April. It is a dreary wet day in London in the years soon after the end of the First World War and Lotty is looking forward to nothing. She persuades a casual acquaintance, Rose Arbuthnot, to go with her to Italy. Two other guests join them: Lady Caroline, so beautiful every man must turn into a ‘grabber’, and a widow known always as Mrs Fisher.

The worst of the four women as well as their best is revealed during their stay. Each is escaping some situation at home and each will find unexpected happiness by the end of the month. The magic is wrought by two factors: the glorious surroundings, especially the magnificent gardens, in which they find themselves and their reactions to Lotty’s affectionate and generous spirit.

The story is told with a great deal of humour, some situational, some in throwaway asides by the characters. All the women change and reveal characters of some depth. What is proper and how it restricts women and their happiness and their men’s too, are the main themes of the novel. For the older women in fiction series I focus here on Mrs Fisher.

The Older Woman, Mrs Fisher

Mrs Fisher is 65 and a widow. It is not entirely clear why she agrees to join the group.

She only asked, she said, to be allowed to sit quiet in the sun and remember. (33)

And remembering is what she spends her time doing, rereading and remembering the Victorian men of letters she met in her youth, her father having been an eminent critic. From their arrival at the castle Mrs Fisher is demanding and domineering. She makes and acts upon assumptions, taking the place at the head of the table, commandeering one of the two sitting rooms for her exclusive use, and judging everyone with whom she comes into contact.

Elizabeth von Arnim describes her as angry, acquisitive and selfish. The old woman uses the excuse of her stick for all her antisocial actions. She is very sure in her opinions about respectable behaviour. She judges people on the basis of their punctuality, whether they speak grammatically, and if they spend their time usefully – meaning in her case reading the Victorian greats. She keeps up an internal and spiteful monologue, and her most common rebuke spoken out loud is ‘really!’ and to herself, ‘how impertinent!’ I think I have met people like Mrs Fisher.

Nothing could affect her, of course: nothing that anybody did. She was far too solidly seated in respectability. (74)

In her own opinion she has avoided the indignity of behaving as if she were younger than she is.

She herself had grown old as people should grow old, – steadily and firmly. No interruptions, no belated after-glows and spasmodic returns. (188)

The reader hopes she will be so shocked she will pack up and return to London. Rose tries to challenge her using reason, but Lotty simply suggests to Mrs Fisher that she will change in time. And gradually Mrs Fisher does change, responding to their surroundings, and to Lotty’s unstinting warmth. Mrs Fisher begins to have ‘odd sensations’, restlessness, time wasting, and moving around without her stick.

She responds favourably to the arrival of men, despite first meeting Lotty’s husband when he is clad only in a towel. She responds to their courtesy, their deference puts her at ease or brings out maternal feelings.

She notices that the old Victorians, being dead no longer have anything to offer her, so she stops reading them. And as she reflects on her situation she sees that her friends’ idea that one should never change is rather silly.

Old friends, reflected Mrs Fisher, who hoped she was reading, compare one constantly with what one used to be. They are always doing it if one develops. They are surprised at development. They hark back; they expect motionless after, say, fifty, to the end of one’s life. (189)

Lotty notices the changes in Mrs Fisher.

‘Poor old dear,’ she thought, all the loneliness of age flashing upon her, the loneliness of having outstayed one’s welcome in the world, of being in it only on sufferance, the complete loneliness of the old childless woman who has failed to make friends. It did seem that people could only really be happy in pairs, not in the least necessarily lovers, but pairs of friends, pairs of mothers and children, of brothers and sisters – and where was the other half of Mrs Fisher’s pair going to be found? (260)

The answer, of course, is that it is Lotty’s warmth that rescues her. She gains Lotty’s friendship by the time the month draws to an end. And Mrs Fisher has been transformed.

The image of old age

The picture of the unhappy and lonely older woman who takes her dissatisfaction out on those around her holds both elements of caricature and of truth. In the end Mrs Fisher is redeemed, no doubt abandoning her stick in the Italian castle.

The Enchanted April by Elizabeth von Arnim, first published in 1922. I read the edition published in 2015 by Vintage 262pp

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Themed Reviews – Written by Elizabeth

What a happy coincidence that so many excellent writers have the first name Elizabeth. Here are four that have provided exceptional delight in my reading. I have reviewed books authored by these Elizabeths many times on this blog including every novel by Elizabeth Taylor.

Below you can find links to novels by Elizabeth Bowen, Elizabeth Taylor, Elizabeth Strout and Elizabeth von Arnim as well as a few more suggested Elizabeths.

Elizabeth Bowen (1899-1973)

Born in Dublin, Elizabeth Bowen lived through some of the worst times in Irish history. She remained connected to her Irish roots through Bowen Court, which she inherited but was eventually forced to sell. Although she spent a great deal of time in Bowen Court and wrote about her love of the place, she lived in England for most of her life. During the war she lived in London, in Clarence Terrace, Regent’s Park, the setting for her captivating wartime novel The Heat of the Day. She wrote 10 novels, many collections of short stories and other non-fiction books.

Early on I reviewed one of her first, The Last September, and it is the most read of all my reviews on Bookoword. Recently I reviewed her last novel, Eva Trout. I have reviewed others too: Friends and Relations, The House in Paris and The Hotel.

She was a champion of Elizabeth Taylor.

Elizabeth Taylor (1912–1975)

Elizabeth Taylor is well known for being the most under-rated author of her time. She has always had admiring followers, in the past and today. Virago has just re-issued her novels, again. Born in Reading and resident in the area all her life. The setting along the Thames is included in many of her short stories.

I have reviewed all Elizabeth Taylor’s fiction on Bookword: all 12 novels for adults, her children’s novel Mossy Trotter and her complete Short Stories. I also looked at her biography by Nicola Beauman, The Other Elizabeth Taylor.

You can find all the reviews by clicking on the category Elizabeth Taylor’s novels in the list of categories in the RH column. The review of Mrs Palfrey at the Claremont is one of my most popular reviews.

Elizabeth Strout (b1956)

 

Born in Maine, US Elizabeth Strout has published five novels to date. I have enthusiastically reviewed two of them so far. The first won the Pulitzer Prize in 2009: Olive Kitteridge. It is included in the series of older women in fiction.

The other is My Name is Lucy Barton which was in the long list for the Baileys Women’s Prize for Fiction and for the Man Booker Prize in 2016.

Her new book Anything is Possible is on my tbr list and I will review it soon

Elizabeth von Arnim (1866-1941)

I am happy to recommend two novels by Elizabeth von Arnim, which I have read, and look forward to reading and sharing more of her work.

Elizabeth and her German Garden (1898) is a delightful account of a year in her garden, which she favours over her house. Despite her name the author was from Australia, but moved to live mostly in Europe. Her first husband appears in this novel as the Man of Wrath. Her love of gradens and acute observations of social customs were already evident in her first novel.

The Enchanted April (1922) is something of a fairy tale in which four unhappy women agree to spend a month in a castle on the Italian coast, despite being strangers to each other. The place and its gardens together with the generous spirit of one of the women lead to each of them finding a better future. I plan to write more about this book in August, specifically about Mrs Fisher, who is 65 and therefore a candidate for the older women in fiction series. What is proper and how it restricts women and their happiness and their men’s too, dominate the novel, written in her witty and readable style

Other Elizabeths

Here are some more suggested reads by Elizabeths:

Elizabeth Jenkins (1905–2010) The Tortoise and the Hare (1954) and Harriet (1934) (both published by Persephone Books) I have not reviewed either of these on Bookword.

Elizabeth Jane Howard (1923 –2014) The Cazulet Chronicle, Love All and many others. I have not read her novels myself, waiting for recommendations from other readers.

Elizabeth Smart (1913-1986) By Grand Central Station I Sat down and Wept (1945).

Elizabeth McKenzie (b. 1958) The Portable Veblen (2016) – shortlisted for last year’s Baileys Women’s Fiction Prize.

Over to you

That makes EIGHT Elizabeths who are worth reading. Have I missed any out?

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Filed under Books, Elizabeth Bowen, Elizabeth Taylor's novels, Older women in fiction