Tag Archives: Carole Ellis

More Gallimaufry: another achievement for the writing group

This week we celebrate the publication of More Gallimaufry by presenting a copy to Totnes Library. ‘We’ are the Totnes Library Writers Group. More Gallimaufry is the second published collection of our writing. Everything, even the editing, was collaborative. I asked my fellow editors to say something about their experiences 

Carole Ellis said

Delight came in many forms. There was the huge privilege of reading the work of so many talented writers. So much talent within our group! Being able to discuss the work and consider with them even a tiny part of their final contribution – the placing of a comma – was a true delight. There was also delight and privilege in working with my co-editors. We had a winning blend of determination and humour and it was great to discover how two people I really respect work. There was also the immense satisfaction of seeing an idea – “what about doing another book?” –  become an object of such beauty. Nothing beats holding your own book – fresh off the press. Such a magical moment.

Learning came with the realisation that hard choices had to be made. The whole Covid-19 outbreak gave us time to focus and decide what we wanted – whether we wanted to continue and that really honed our determination. I learned that there comes a point at which one has to say ‘enough’. But that point is moveable! Even with a sales team nipping at your ankles, changes may still be needed in pursuit of perfection but at the same time perfection is not possible. There will always be that one mistake that slips through – and you have to accept that. That’s a learning curve.

From Pat Fletcher

Editing Collaboration

The invitation to be part of the editing team was an open one to the whole group. To be honest, part of me thought the invitation wasn’t for me at all, but somewhere, entwined within was the allure of promise and possibility – and I’m a sucker for both!

The whole process was much more than I could have possibly imagined. The scariest bit though was the thought of editing other writers’ work. There’s me with no editing experience, other than my own work, reviewing, assessing and discussing their art! As it turned out, they were gorgeous and for the most part appreciated someone else taking time over their work. It was through this I was encouraged to contribute some work of my own. I love this group.

Covid hit during the early stages of the process, but we carried on writing. As keeper of the content, I gained early insight into the variety and quality of the work. I was well-impressed. Over six months in, and we decided to meet to assess where we were with it all and where to go from there. That we were going to continue became a no-brainer. The getting together in person sparked something else: requests for more content became more focussed. All systems were go and what had been eleven contributors soon rose to 21.

Then we came to the task of preparing the content for print. I volunteered to have a go at the design, quickly becoming unstuck due to lack of time (and experience) to do the hard yards of putting the content in order, typesetting and pagination. Caroline and Carole rallied round and the decision was made to outsource. Palpable relief! From then on it was all steam ahead as we strove for perfection. Just as one thing was resolved, something else came to the fore – all change! At one point I cringed at the thought of finding something else, but the job had to be done – and well. All anomalies and doubts were aired, shared and cleared – some more comfortably than others (she writes as she remembers both the cringy and sparky ones). The strangest experience happened when it came to sending the final format to the printers. Part of me just didn’t want to let it go! 

Collecting the copies was a dream come true. What began as an idea floated around the group was finally real. And now it’s over to the sales team. 

Printer’s Proof

Caroline writes

And I am very proud of More Gallimaufry for many different reasons.

The cover

The appearance of this collection is very attractive. More than one of our writers are artists. The cover is fittingly called Devon Landscape and is the work of Fiona Green. She also provided the cover for Gallimaufry our first volume. 

Covid-19, lockdowns and the writers’ group

Our group thrives on active participation, this mostly in our fortnightly meetings, some of which are workshops, other involve reading our writing to others for feedback, and sometimes we explore a theme, such as structure, or pick a topic to write on together. 

In September 2019 we had organised a day’s writing festival for writers in Totnes called WRITE NOW TOTNES! It had been very successful and we planned some more activities with the surplus funds we had. 

Lockdown in March 2020 stopped us in our tracks. We managed to get regular meetings going again on zoom after several months, but some writers were not able to join, or chose not to use this method of meeting. 

We had had a schedule planned for the anthology, and the three volunteer editors had started to collect submissions when it all stalled. When we managed to meet again in the autumn of 2020, outdoors, with masks and overlooking the beautiful Dart river we made an important decision.

We had lost more than six months, but by shifting our schedule on a year, replacing all those 2020 dates with 2021, we could still produce a good volume and in time for the Christmas market. 

And that’s what we did. It was a wonderful moment when Pat, who collected all the writing together, informed us that we had work from 21 writers. Not only had we survived lockdown with our regular workshops and meetings, but we had 21 people interested enough to provide short stories, memoir and poems for our second anthology.

Editing

Pat and Carole have described our labours as we edited More Gallimaufry. We got professional assistance with the design of the cover, proofreading and having already commissioned a designer to work on the cover, she relieved us of the difficulties of typesetting as well

And then we set about chasing the last mistake. It seemed that we were nearing the end when we decided that poems spread over two pages should start on an even page, so that they could be read without turning the page. This required a large amount of reordering, and yet another revision of the contents page. 

Eventually, through our collaborative efforts it was all done, and the printer received instructions to print 200 copies.

Collaboration

This has been a collaborative project: the decision to embark on a second collection; the title; the cover; none of this was the work of one person, and often involved discussion in the meetings. 

A few days ago we collected the boxes of copies from the printers and handed them over to the Sales and Promotion team. This group have arranged the launch at the library, a sales event in the High Street, and promoting and selling the book through many outlets.

For me, the delight has been in the buoyancy of the writers group despite the limitations of the last 20 months. And while I don’t want to read it all again for some time, it was a huge pleasure to participate in the creation of a beautiful volume of excellent writing.

Thanks to Pat and Carole for all the fun, creativity and tolerance and for their contribution to this blog.

Carole, Caroline and Pat, slightly hysterical at the printers

If you are interested in acquiring a copy please contact me by email (lodgecm@gmail.com) or find the details of how on the Totnes Library Writers Facebook page. ISBN: 978 1 9996286 1 11

You can read about our first published volume (2015) Gallimaufry here.

Our first collection

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Filed under Books, Learning, Libraries, poetry, Publishing our book, short stories, Writing

The Little Old Lady who Broke all the Rules by Catharina Ingelman-Sundberg

I like the way the translated version of the title sets up a tension between the image of a biddable older woman and breaking the rules. All the best titles hold some contradictions I believe. And here is an older woman who is not the stereotype of the little old lady. Indeed she is not afraid to stand up for herself and for others and to create a community of older activists in the process. A great basis for a novel about an older woman. This is a guest post, by a writer friend, Carole, who responded to my request for examples of older women in fiction and got herself volunteered. 

The Little Old Lady who Broke all the Rules is the 43rd in the series of older women in fiction. This is what Carole wrote for me:

The Little Old Lady who Broke all the Rules

Here is a little old lady who fights back. Martha is no passive acceptor of whatever is thrown at her by life. She takes an active part in shaping her future and that of her friends. 

When greedy new owners force cutbacks to staff and services, Martha Andersson decides that conditions in prison would be preferable to those endured by the inmates of the Diamond House Retirement Home. A lack of outings, microwaved meals and a cocktail of appetite suppressants and sedatives make doing time seem a luxury to the residents. Spurred on by a hidden stash of cloudberry liqueur, Martha encourages her friends to form the League of Pensioners and to embark on an adventure. Together they set off to commit a crime that will get them banged up.  

Although Martha is a 79 year old lady who knits and uses a Zimmer frame, she is portrayed as a woman who is so much more than just that. She has a past life with skills that can be utilised to help her overcome the present crisis. She has a strong character that inspires her to want to fight injustice, a logical mind and an imagination. She is so much more than ‘a little old lady’. While medication may have masked the talents of Martha and her friends, it has not robbed them of their ability to remember the people they were – and still are. Within the limitations that age has inflicted (an ability to forget things and slower reactions) Martha wrestles with her problems and comes up with ingenious solutions that utilises the talents of her friends in League.

While occasionally disbelief must be suspended, Martha is portrayed as a real and likeable character. The plot is funny and shows us people who are having relationships, who worry about how they look and what they’re going to eat. They bicker and gripe but mostly they rise to the challenge. Despite their crimes I found that I was on their side and their honourable intentions were enough to carry me through to the end. It is interesting that the original title in Swedish offers no inkling as to the age of the protagonist. It may be that the change of title was made because of our fixed ideas about what ‘little old ladies’ should be doing in their twilight years. 

The book raises questions about what we expect from ‘old people’ and whether dignity should be a right. It shows how easy it may be to sit back and accept a restricted life and limited opportunities as part of ‘growing old’ never questioning whether something better is possible. Worse may be the ease with which we (i.e. younger than ‘old’) accept that prognosis for others – defining them by their years not their ability. Although it is greed that has sparked the changes in the Diamond House Retirement Home, the book raises questions about the standard of care offered in so many of our own retirement homes where cost cutting is biting into the normal stuff that we, who consider ourselves to be less than ‘old’, may take for granted. Read in the present light of questioning whether it is wise to write people off just because they are old or infirm, this book gently highlights some thoughts on the matter. Martha shows that by utilising people’s changing abilities and encouraging adapted skills, great things can be achieved. 

It is a book that I would strongly recommend. It is light and easy to read with a humour that underlines the most serious of questions. Martha is a likeable character who bravely battles the system but she, and her friends, also show acceptance of other people’s foibles whether these are caused by old age or just part of being human. While the book has a tremendous feel-good factor, it gently gets you thinking. 

The Little Old Lady who Broke all the Rules  by Catharina Ingelman-Sundberg. First published in 2012 by Bokfürlager Forum, Sweden under the title Kaffe med Rån  (Coffee with Robbery). This edition published in 2014 by Pan Books. Translated by Rod Bradbury.

Guest post written by Carole Ellis

Here are some recent additions to the Older Women in Fiction series:

The Boston Girl by Anita Diamant

Meet Me at the Museum  by Anne Youngson

Eleanor and Abel  by Annette Sanford (guest post)

Should You Ask Me  by Marianne Kavanagh

The Woman from Tantoura  by Radwa Ashour

See also a comprehensive list including many recent recommendations by readers, on the page called About the Older Women in Fiction Series.

To subscribe and receive email notifications of future posts on Bookword please email me with your email address: lodgecm@gmail.com

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Filed under Books, Older women in fiction, Reading, Women in Translation

Writers and Soundart

I love being a member of the Totnes Library Writing Group because it is full of people who are creative, imaginative and playful. Carole Ellis and Wendy Watkins are both stunning writers, and for some time they have also been creating programmes for Soundart the local community radio, as a kind of local podcast. I enjoy listening to their programmes, and so can you.

I asked them to write about their activities for Bookword, and here is their conversation.

Some practical details

Carole and Wendy: We have a monthly programme on Soundart Community Radio – 102.5 FM within a 7 mile radius of Dartington in South Devon, or online: http://www.soundartradio.org.uk. We’ve uploaded our 15 programmes to https://www.mixcloud.com where you can search for “Life with a Literary Slant”. 

You can also contact us by email: lifewithaliteraryslant@gmail.com

Our two sound artists

Wendy: We’re both volunteers. Amateurs. Which means we love what we do.

Carole: Yes. Payment-free and we do it…  Why do we do it? 

Wendy: (Laughing) Let’s go back to the beginning. What do you remember about how this started?

Carole:  I remember a meeting at the Totnes Library Writing Space. Fiona Green, a group member, organised a guest speaker, Chris Mockridge. He talked to us about the use of radio in writing. We had great fun sitting outside in the sunshine and came away thinking ‘we could do that’. 

Wendy:  Chris showed us all how to use a handheld recorder and recorded one of our writers – Mavis Riddel – reading her own short work, “A Highland Story”.

It’s included in our “Winter Stories” episode.  I think you can hear seagulls in the background. 

Carole: We’re based in Totnes – a small market town in the South Hams area of South Devon, unofficially twinned with Narnia – which gives an impression which isn’t strictly true. But it’s a wonderful centre for art, music, writing and some amazing people are based here.

Wendy:  There’s also the legacy of the Elmhirsts who re-built Dartington Hall in the 1930s.They’re long gone and much of their ethos has been submerged, but something of that adventurous spirit lives on. “Soundart” is also a reference to the fact that we’re on the River Dart. 

Carole: Hence the seagulls.

Wendy: The studio itself is based in one of the buildings on that estate. Some do their programmes live, but we chose to pre-record ours.

Starting out with Audacity

Carole:  Lucinda, one of the founding members of Soundart showed us some very basic skills in the use of Audacity, the free software available for sound editing…

Wendy:  …and that led onto a quite amusing period in our explorations trying to do things. But what do you remember about why we started?  

Carole: (laughing) I don’t know why we wanted to do this. I think it was partly to broaden the number of people who hear our group’s writing. And a love of language and communicating and storytelling… We can cover whatever we want so we just tap into whatever interests us at the time. 

Wendy: That’s what a community radio like Soundart gives  – freedom to create and explore. There’s an engaged listening that happens in a writing group…

Carole: …and by replicating it on the radio we’re able to share that experience with a wider audience. 

Wendy: You’ve been writing for some time. I know you were making a killing at one stage, sending letters to newspapers and also writing short stories. So there’s that dimension – and other things about you, like your identity as a teacher. How does that connect with what we’re doing now with Soundart? 

Carole: Yes, I taught adults to read and write for many years. And this programme enables me to continue sharing a love of reading and enabling other people to express themselves. 

Wendy: You often do background research on subjects you enjoy. I’m thinking of the programme on dialect, or the one about the history of coffee shops and writing. 

Carole: You also have a background which gives you an interest in another field 

Wendy: I taught for a couple of years in my early twenties, but I become a clinical psychologist. That involves listening very closely and deeply to other people’s experience. I have an interest in hypnotherapy where you use language, symbols and metaphor in creative ways. A light trance is a natural state so I suppose you could say we’re all in a light trance while listening to a story. 

Although we may choose a serious topic there’s also an element of play in creating a programme. Spoken language has its own musicality and the fact that we can incorporate music is something I find very special.

Carole:  It’s one element that I enjoy a lot… And finding something that we both like, instantly sometimes, we just know that that’s going to be the bit… that it’ll fit. Also the interviewing and bringing in other people. Some are people we know from the writing group but we do find others, don’t we, from out and about? 

Wendy: I really appreciate the generosity with which people do this. Sometimes there’s a particular person I have in mind, like Dr Stephan Harding the ecologist at Schumacher College, who agreed to talk about imagination. Totnes café owners were happy to be included, bookshop owners, and because of the nature of the community it’s easy to find people. 

Carole: Yes and the Totnes librarians and others have been enormously generous with their time and with their ideas and thoughts. We’re really lucky.

Learning to avoid the orphans

Wendy: What do you remember about the first experiences of putting a programme together? 

Carole: I suppose getting the hang of the Audacity software – that was quite challenging. I mean we’ve had programs where we’ve got everything exactly the way we want it and then it’s just disappeared… 

Wendy: Or it tells you that there are 3056 “orphans”…

Carole: Yes. (laughing) I love the “orphans”. I always feel sorry for them but I don’t want them…

Wendy: We’ve never quite worked out where they come from or where they are being held…

Carole: But there’s a lot of them. That’s always been a challenge – but we’re getting the hang of it and also we know how we work best, which in the early days – it was never a challenge exactly – but it was just us getting comfortable with the working arrangement…

Wendy: It’s more relaxed. I remember that in the early stages it was very clear that you were much more technologically skilled than I am. But what’s transpired over time is that you actually like doing that part. We make decisions together and we sit together selecting music, putting the programme together, but you’re faster and more technologically literate.

Carole: You make a much better interviewer than I do so I’m quite happy for you to go out with the Tascam recorder and make those connections while I can sit in my little room pushing buttons taking out the excess stuff that we don’t need… so yeah it works… 

Wendy: We have different perspectives and life experience, but if you have some shared values it makes collaboration work. It’s the same with what programme to do next. We seem to move quite easily into different ideas. 

Carole: I don’t think there’s ever one of us left thinking, ‘Oh, I wouldn’t have done that’. It’s very much a collaboration.

Wendy: Talking of this makes me think again about how much fun creating the programme can be. And the good feeling when we’re in agreement that a programme’s now the right shape, and simply let go of it. Like closing a book, pausing, and moving on to the next.

You can find the programmes in the Life with a Literary Slant series created by Carole and Wendy on Soundart: go to www.mixcloud.com where you can search for “Life with a Literary Slant”.

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