Tag Archives: British Book Awards

Queenie by Candice Carty-Williams

Does Queenie deserve its reputation? A recommendation by Bernardine Evaristo is a reliable endorsement. This lively first novel has also been doing well in those literary prizes: Fiction Book of the Year 2020 in the British Book Awards, longlisted in the Women’s Prize for Fiction 2020, shortlisted for the First Novel Award by Costa, Blackwell’s Book of the Year 2019.

Stig Abell, former editor of the TLS, and a judge of the British Book Awards described its merits in this way:

This is a novel of our time, filled with wit, wisdom and urgency, and unafraid to tackle life as it is being experienced by a young, single black woman in the city. This shouldn’t be filed away as simply a funny debut by a brilliant writer (though it is that); this is an important meditation on friendship, love and race.

It is funny and brilliant and accessible and powerful.

Queenie 

Queenie, 26, is a journalist living and working in London and the narrator of this story. It begins as she and her white boyfriend separate. She believes it will be temporary. The reader knows that it is likely to be permanent, but we understand hope. While she waits for him to decide she embarks on a series of short-lived relationships with men, mostly white, mostly found on-line and including a colleague. 

She is usually somewhat reluctant to get into bed with them, but is persuaded by drink and because they are insistent and she likes to please. Life gets harder for her as the weeks turn into months and she is worried that Tom has not been in touch; that her sexual health may be in danger so she visits a clinic; her work is being neglected and her boss is noticing; and she slips further and further into debt with a friend.

Queenie’s life comes to a terrible halt when it emerges that one of sex partners is actually the boyfriend of one of her best friends. All at once she loses her friend, her job, her accommodation. Not all of this is directly her fault, as some of the men treat her very badly indeed. 

She gradually restores herself and her life with the help of her Jamaican origin grandparents, her friends and a counsellor. Her experience of abuse and neglect in her past is revealed and much of her response to her situation is explained by this. She emerges wiser and bruised.

Reading Queenie

This is a fast-paced book, and one which is easy to read, to keep turning the pages. I liked the way that emails and text messages were included. The Corgis who provide a chorus of comment and advice on her actions are an excellent device. And the interactions of the Jamaican grandparents are very funny: I loved the way they shout out at night if Queenie gets out of bed, and how they are won over to supporting her receiving counselling.

The most endearing quality of this novel is Queenie herself: spirited, doubting, reflective and both revealing and guarded at the same time. Her character is well drawn and develops through the novel. Reading it, I certainly felt that Queenie deserved much better from the men that cross her path and has a valuable, loving resource in her friends.

The story of Queenie is suffused with inescapable racism. Her counsellor, Janet, reminds her that she can’t carry the pain of the whole race.

‘It’s not a burden I’m taking on, it’s one that’s just here.’ I could feel anger building in my chest. ‘I can’t pick it up drop it.’
‘Is that how you see it?’ asked Janet as calmly as she could in an attempt to counter my distress.
‘That’s how it is.’ I started to get louder. ‘I can’t wake up and not be a black woman, Janet. I can’t walk into a room and not be a black woman, Janet. On the bus, on the tube, at work, in the canteen. Loud, brash, sassy, angry, mouthy, confrontational, bitchy.’
I listed off all my usual descriptions on my fingers.
‘There are ones people think are nice, though: well spoken, surprisingly intelligent, exotic. My favourite is ‘sexy’, I think. I guess I should be grateful for any attention at all. […] Do you know how that feels, Janet?’
‘No. Queenie, I don’t.’ (325)

All the black characters are subjected to racism, in subtle or overt ways. I responded to this passage by remembering how outspoken women are treated. Queenie is responding with the multiplier of ethnicity. And her experience is that she is frequently seen as sexually available for all men, much more frequently than white women are. So like Janet, I don’t know how that feels. Which is one reason why novels such as this one are important for white readers.

Like a mantra, throughout the text the message is repeated: We are enough. Each of us is enough. Each person is enough

I look forward to Candice Carty-Williams’s next novel.

Women of ClourQueenie by Candice Carty-Williams (2019) published by Trapeze. 392pp

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Filed under Books, Feminism, Reading, Reviews, Women of Colour

The Essex Serpent by Sarah Perry

The cover of The Essex Serpent by Sarah Perry is outstanding. I would probably have read it because of the cover alone. But last year The Essex Serpent and its cover took Twitter by storm. And it has been the centre of attention since as it racked up the awards:

  • Waterstones Book of the Year 2016
  • Shortlisted for the Costa Novel Award
  • Long-listed for the Dylan Thomas Prize
  • Long-listed for the Wellcome Book Prize
  • Long-listed for the Baileys Women’s Fiction Prize
  • British Book Awards Fiction Book and overall Book of the Year in May 2017.

And it is now out in paperback.

The Story

The story is set in London and Essex, of course, in 1893, and spans twelve months. We begin as Cora Seabourne is widowed. The marriage has been abusive, so there is relief as well as grief. In his last days he had been attended by the brilliant surgeon, Luke Garrett. Nicknamed The Imp for his unusual appearance, Luke has few social skills, few friends, but total confidence in his medical abilities and falls for Cora.

Cora also has a son of about 7. Francis is also distant, and perhaps has a compulsive obsessive disorder. His main support is Martha, Cora’s companion.

Cora inherits enough money for an independent life, and she decides to follow Mary Anning in pursuit of palaeontology, but in Essex rather than Dorset. This is the era when religious faith was challenged by Darwin’s ideas. In the Essex village of Aldwinter the vicar, William Ransome, is struggling with a population who believe that strange goings-on are God’s punishment for their failings. There is a belief in an Essex Serpent, who lives in Blackwater Estuary, in the liminal space between river and sea. There are reports of strange sightings, unexplained disappearances, sickness and dark shapes in the water …

Cora and William are attracted to each other by their lively interest in the world and explanations of how life is. Their story runs alongside the unravelling of the mysteries of the Serpent.

A gothic style?

Genre is not my strong point, but I have frequently read that The Essex Serpent is gothic and it does have a dark mystery or two and an unseen monster, and many characters, many of whom don’t fit well into Victorian society, odd balls, radicals, misfits, and a beautiful woman wracked with TB.

The mysterious, mythical and malign Essex Serpent is attractive to many of the people in the novel, being in some cases the receptacle of their fears. The characters are suitably complex, not sure what they want or believe, or able to dispense with alternative beliefs that contradict each other.

Not everything works out as one might expect. For example, marriage is not considered by Cora or Martha as the next desirable step in life. Martha has socialist ideas, and sees marriage as a form of prison. Cora is enjoying an unconventional life allowed by independence in widowhood.

And sexual love, while present, is not the main motivation of the various relationships in this novel. Rather, friendship between men, women, adults and children is the most positive force, along with a sense of community.

This novel has a great deal to do with rationalism and superstition. While they are in opposition some of the time, it is also clear that they are not exclusive, and one human can entertain both simultaneously.

What I liked about The Essex Serpent

The cover, designed by Peter Dyer, with acknowledgement to William Morris.

The rich cast of characters, some rural and some enjoying the privileges of Victorian wealth. It must have been an exciting time for medicine, geology, palaeontology and socialist ideas.

I love it that the women in this novel are not sweet and swoony.

I liked the way that life moved through these people and left them with more understanding.

And I enjoyed the setting: the landscape of coastal Essex, the estuary, the natural life, the sounds and sights that unfold throughout the year. Essex is an underrated county. Here we are in June as Cora takes a walk:

Essex has her bride’s gown on: there’s cow parsley frothing by the road and daisies on the common, and the hawthorn’s dressed in white; wheat and barley fatten in the fields, and bindweed decks the hedges. (230)

The Essex Serpent by Sarah Perry, first published in 2016 by Serpent’s Tail. Now available in paperback. 418pp

 

Related posts

Booksnob reviewed The Essex Serpent in July 2016. She had some criticisms of the sub-plotting, but generally thought it was a marvellous read.

Helen Parry reviewing for ShinyNewBooks was similarly enthusiastic.

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Filed under Books, Reading, Reviews