It sometimes seems that everyone else has known about a great writer long before I discover her. This was true of Elizabeth Strout. When Olive Kitteridge was recommended to me for the older women in fiction series on Bookword it seemed that everyone else had already read the book. Everybody who hadn’t read it had seen the tv series, and vice versa and some had absorbed both. I was just catching up.
I did read Olive Kitteridge and included it in the older women in fiction series in June 2016, and then I read My Name is Lucy Barton in March 2017, also reviewed on the blog. Now I am catching up again.
Anything is Possible
As with Olive Kitteridge, Anything is Possible is a series of connected short stories. Such a structure makes possible details from a variety of perspectives, and unexpected connections between incidents and characters. In this novel, the connection is the town of Amgash, Illinois. Lucy Barton grew up here, in utter poverty.
Anything is Possible references her previous book, My Name is Lucy Barton, but it also stands alone. Lucy Barton is a character in one story, Sister, and is mentioned by several characters in others. Her brother Pete is featured in two stories.
What emerges from these stories is pain, hidden and overt: pain from extreme poverty in childhood, from experiences in Vietnam, from hiding homosexuality, from maintaining a veneer or trying to escape.
Anything is Possible requires the reader to look into what is not said, to the silences, the gaps. As the New Yorker reviewer Ariel Levy observed, ‘withholding is important to Strout.’ Her characters find it almost impossible to express their emotions.
Here’s a passage from the story Sister, about Lucy Barton’s return to Amgash, to see her brother Pete. Their sister Vicky joins them. Each of the three has prepared their appearance, and each of the three feel that they got it wrong. I notice that the concrete details – the couch, the attempt to cross her legs, the lipstick, the lack of lipstick – show the reader the awkwardness of this reunion, within each character but also between the three of them. Just before this point Pete has noticed that Vicky has become fat (‘He had known this without knowing it’ 160). We are looking through his eyes.
Vicky dropped her pocketbook onto the floor and then sat down on the couch as far away from Lucy as she could. But Vicky was big so she couldn’t get that far away, the couch was not very large. Vicky sat, her almost-all-white hair cut short, with a fringe around it, as though it had been cut with a bowl on her head; she tried to hoist a knee up over the other, but she was too big, and so she sat on the end of the couch, and to Pete she looked like someone in a wheelchair he had seen in Carlisle when he went to get his hair cut, an older woman, huge, who was sitting in a motorized wheelchair that she drove around.
But then he saw: Vicky had on lipstick.
Across her mouth, curving on her upper lip and across her plump bottom lip, was an orangey–red coating of lipstick. Pete could not remember seeing Vicky wear any lipstick before. When Pete looked at Lucy, he saw that she had no lipstick on and he felt a tiny shudder go through him, as though his soul had toothache. (161-2)
Each of the stories reveals the conflicts between people and within people, and does it through their dialogue, the details of their actions or their observations and through strong imagery, like the soul with toothache. Another reviewer, Elizabeth Day in the Guardian, referred to Elizabeth Strout’s skill at understatement and how well she shows the reader the conflict between ‘private desire and public obligation’.
This is the lot of small towns. There is deep loneliness for the characters in the small town, and for some an irresistible urge to leave, as Lucy Barton did, as Elizabeth Strout herself did. She grew up in a small town, Brunswick, Maine, and is now able to return with insight. Lucy Barton told the story of her ache to leave Amgash in My Name is Lucy Barton. Anything is Possible tells the stories of the inhabitants who know there is something beyond the town, something other that Lucy found, but are not able to escape.
Anything is Possible by Elizabeth Strout, published by Penguin in 2017. 254 pp
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