It’s 1989. Matilda Osborne is in Ghyllside Hospital in Cumbria. She has been there for about 50 years. She is being moved to Tuke House, half-way accommodation established to help the residents transfer to semi-independent living as part of the new policy – Care in the Community. Matty, as they call her, is 70 years old. The staff are not sure that she will manage the transition.
This is the 54th in the series of older women in fiction which I promote to make older women in fiction more visible. The author, Anne Goodwin, has also contributed to my posts about older women writers. You can find the links at the end of the post and you can find the complete list of 100+ suggested books in my series with links to the reviews here.
Matilda Windsor is Coming Home
The reader follows Matty’s story from three perspectives. The first is of her half-brother Henry, 57 at the time of the story. He was 7 when Tilly (as he knew her) was sent away by her step-father. Both Tilly and Henry were devastated by the separation. Tilly’s mother, a widow, had married Mr Windsor and Henry was their son. But she died in childbirth, so Tilly had raised Henry. He has spent the years since she left searching for her.
His job with the council is at risk as he does not see the point of using computers and refuses to be retrained. As he is approaching retirement he is transferred to humiliating positions where this is not an issue, which include organising a party for the local old people and dressing up as a Christmas elf, in a hilarious episode. He has not realised how close he is to his sister when he is enrolled into the local campaign to prevent the inhabitants of Ghyllside being rehoused on his doorstep.
A second perspective from which we see Matty is a social worker’s. Janice is newly qualified and her job at Ghyllside is her first. She is optimistic about the new policy and schemes to get Matty onto the first programme for relocation. She has been charmed by Matty. Waiting in the hall for an interview Janice meets the old lady for the first time.
Janice watched her pluck a jelly baby from the packet, bite off its head, and add its body to the tail of a procession snaking the bench.
Engrossed in the etiquette of a parallel universe, she seemed unaware of Janice, too self-absorbed to shimmy along for her to sit or deposit her bag. Yet the woman raised her gaze. “Did you run away from the circus?”
“Pardon me?” Janice would have been less shocked if the walls had addressed her. And, had she credited the patient with a voice stronger than a whisper, and the will to use it, she’d never imagined her speaking like royalty. (16)
Matty’s own perspective is also gradually revealed. She has spent half a century in institutions. She treats everyone as if they were her guest or her servant at her grand house. Her key nurse is her maid, for example. Any difficulties are explained away by the necessities of war. While Matty appears to be a dotty old woman, we can see that she has developed coping mechanisms. She is frequently overcome by thoughts of ‘the Prince’, who it emerges is her step-father. I imagined the prince of darkness. She has many very attractive qualities: a way of speaking her mind, generosity, hospitality, courtesy and resilience.
There are more than 60 short chapters in this novel, so the stories of Matty, her brother and Janice, bowl along with some amusing episodes and some which are more shocking. The past is a dark continent, and as we understand Matty’s story, we can see the difficulties for Janice and the new policy.
Humour in this novel comes from observing the professionals, the social workers and care staff for example. Or from watching Henry pursuing an adulterous relationship once a week with a hairdresser and she is getting fed up with him. Or seeing Matty cope with her life.
“Thank you, dear, that was delicious.”
Au contraire, the food is barely palatable but that is no fault of the maid, or the cook, given the challenges of producing an appetising menu in wartime. Indeed, it would be perverse to eat cordon bleu when the men suffer so dreadfully at the front. Besides, flattering the staff pays dividends. If theyare happy, so are the guests.
“Could you manage some jam roly-poly and custard?” (96)
As readers we are asked to consider the challenges of rolling out the policy of care in the community, including reactions to it. NIMBYism is a feature. We can also see how in the past attitudes to unwelcome behaviour, especially pregnancy of unmarried women, involved removal from the community. At the end of the 20thcentury racism and homophobia work their evil.
And through these events we can see some of the damage done by long-term institutionalisation. They take your name. They take your past They take your history. They take control of your accommodation and movement. They treat you like a child yet you are not safe from sexual predation. Exploitation of women has a very long history, of course.
Matilda Windsor is Coming Home by Anne Goodwin, published in 2021 by Inspired Quill. 405pp
Is there Discrimination against Older Women Writers? December 2015
Let’s have more older women writers February 2020
Why we need more Older Characters in Fiction by Anne Goodwin. Her recent blog post on Inspired Quill Blog
At the Jerusalem by Paul Bailey