Category Archives: Publishing our book

My Bookish August

This has been a rather mad month in terms of bookish and writing activities. I know we are barely half way though August but it has been non-stop in the Bookword world. 

Woman’s Hour

For readers outside the UK who may not know it, Woman’s Hour is a long-running magazine programme on BBC Radio 4. As the title suggests, it focuses on issues from the female perspective, and covers a very wide range of topics. It has a large audience.

Early in August I was asked to join a discussion on older women and fiction, to be broadcast live. The prompt for this discussion was some recent research into the tastes and disappointments of women readers over 40, commissioned by the website Gransnet.

Our topic took as its starting point that women over 40 are the biggest buyers of fiction, but the survey revealed that readers were dissatisfied with how older women are depicted. They often appear in novels as stereotypes, for example unable to operate a smart phone. I made my points about how everyone needs to read good examples of older women, not just readers over 40. And I recommended three good titles, having plugged my blog. I have been asked to repeat my recommendations – so here they are, with links to the reviews on Bookword.

I was asked to arrive by 9.30am, but was unable to find the studio. Fortunately I have done this kind of thing before, or I would have been completely fazed by arriving late, having followed internet directions to the studios in Exeter that they left four years ago. My smart phone was no help; no one answered my increasingly desperate calls and no one could tell me where I was supposed to be. It took a gasman, a community centre receptionist and a taxi driver to deliver me to the studio. The programme order was rearranged to accommodate my tardiness.

This time I met no chickens as I waited to go on air. For an account of a previous experience in September 2014 in a BBC radio studio to promote a book see the link here: Retiring with Attitude at the BBC.

Guest Blogging on Global Literature in Libraries Initiative website

Karen Van Drie invited me to blog in August about older women in fiction around the world. I hope you have or will take a look. By the end the month there will have been about 25 posts. Sadly only six are translations. This is disappointing because August is Women in Translation Month: #WITMonth.  

You can find the blog here: Global Literature in Libraries Initiative, and for more information about the guestathon see my post on Bookword for 3rdAugust.

Planning for the Writing Festival

But most of my energies in August have gone on my contribution to planning a writing festival. WRITE NOW TOTNES will be held on Saturday 21stSeptember, organised by the Totnes Library Writing Group. We have pulled together an exciting range of workshops and other events designed to appeal to participants with a range of experience and of confidence. 

We are proud that it is a local event, ie all workshop leaders and performers are from the area around Totnes, and it is held in the centre of Totnes in the community buildings known as the Mansion. We are thrilled to have attracted funding, including from the Arts Council Lottery Fund. 

There is so much to organise and get right. I have volunteered to do a workshop on blogging of course.

For more details see our Facebook page.

And …

Just three things to keep me busy? Did I mention the dog, or writing or  …? Enough!

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Filed under Books, Learning, Libraries, Older women in fiction, Publishing our book, Reading, Reviews, The Craft of Blogging, Women in Translation, words, Writing

My New Bookish Project

It is with some trepidation that I go public with my new writing project. I am a publisher or rather Bookword is a new publisher. I am very conscious of the idea of vanity publishing. On the other hand I am enthusiastic about the possibilities for citizen publishing on a small scale. If technology makes it possible for more of us to publish, to rely less on the big 5 publishing commercially motivated companies, to spread the idea of independent publishing, then I am happy to give it a go.

And because my novel needs yet another revision it isn’t my first venture. Instead, and in time to give a copy to everyone I know over the age of 12 for Christmas, it’s a collection of 15 of my short stories written over the last 10 years and called Better Fetch A Chair.

Better Fetch A Chair

I published Better Fetch A Chair in early December 2018. The title is an old African saying. And I have taken the name of my blog as the name of the publishing venture Bookword. My main purpose is to have a physical book, containing my fiction, and I do not expect to make money from it. My other purpose is to learn about book production from start to finish. So this is what I did.

Bookword as Publisher

To set up my enterprise I did the following:

  1. ISBNs are useful because an ISBN will ensure that my book will be entered on various databases, including those used by booksellers and libraries. This will guarantee it a better profile. I bought 10 ISBNs from https://www.nielsenisbnstore.com. You can buy one for £89 or ten for £159. As I expect to publish more than one book in due time the choice was obvious. I also learned about making a legal deposit with the British Library.
  2. My collection of short stories needed a proofreader to check them through. I commissioned @Juliaproofreader aka Julia Gibbs to check my stories for accuracy and get them ready for printing. Important learnings here: I am not as accurate as I think I am and I do not know as much about correct capitalisation and presentation as I thought I did. Julia was thorough and I am grateful to her. She helped ensure the professional appearance of the book.
  3. Looking professional is important in such a small-scale project. I searched for someone to design a cover and found Simon Avery of Idobookcovers. I was attracted by the designs on his website, and by his deign process. I had to provide information about my book, Simon did four preliminary designs, I considered these and asked around – my friends, family and writing group all gave their opinions. Finally I asked for some variations to one of the original designs and Simon obliged. It was not cheap, in fact it was the most expensive aspect of the whole thing. But a cover carries so much about the book, its tone, its genre, it is worth getting it right.
  4. Each copy of the book cost more than £10 to produce. As I was not primarily concerned with making a living I decided on a lower cover price.Decisions about theprint run have been guesswork based on my Christmas present list and the other possible destinations for copies. I settled on 100 at £8.99 each.
  5. Another writer I know had used a local printer, Nick Walker of Kingsbridge, and the people there were very patient and helpful as I got my copy ready for print. I found it hard to set up the pages correctly, and the pagination I really wanted eluded me to the end. I hope to improve on that aspect of publishing next time. The printing process seemed like magic: it would take my imaginary book and turn it into a concrete thing. I have chosen not to produce an ebook, partly because I don’t read them myself, but mostly because what I wanted from this process was to hold a book of my fiction in my hand.
  6. I haven’t yet entered the world of promotion, publicity and marketing. That’s my next step.

I fully expect not to recoup my costs, and although it is a business I expect it to remain small, and the losses to be manageable.

And who knows where this will take me? I may decide to publish my novel, books by writers and poets I know, or even launch out and take submissions. But not yet. I’m starting small. Please don’t inundate me with manuscript submissions.

The Conchie Road

I recently posted an article on this blog called The Story of The Conchie Road. It described the writing of a short story called The Conchie Road, which took me to local history meetings, and to the Dartmoor Prison Museum at Princetown, and to reading aloud to cows in the rain on Dartmoor. You can read the story in Better Fetch A Chair.

And if you want to obtain a copy for the reduced price of £5 (p&p included) you can either email me (lodgecm@gmail.com) or DM me on twitter @lodge_c and I will send you details.

Better Fetch A Chair  by Caroline Lodge, published by Bookword in 2018. 142pp. Cover price is £8.99 but available for £5.

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Please note that in future I shall be posting every five days (instead of four) to give myself a little more time for my other bookish projects. I hope you’ll continue to enjoy the mixture of posts.

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Filed under Books, Publishing our book, Reading, Reviews, short stories

After Publication

The New Age of Ageing: how society needs to change by Caroline Lodge, Eileen Carnell and Marianne Coleman was published by Policy Press in early September. I have lost count of the number of books which I have co-authored or co-edited. That may read as rather big-headed, but I have been at it since 1991 – a quarter of a century!

But I have never stopped being excited about publication, the moment when one’s ideas are launched into the world, when you hope other people will benefit from one’s experience and reflection. It’s like a baby grown up and off into the world.

The delight of the printed book

There is pleasure in contemplating the newly printed book. All new books have a charm, the unbroken spine, the clean pages, the unblemished cover. When it’s a cover which announces one’s name and that title over which we laboured for months, then it has extra delight.

Then there is the pleasure of the pile of new books, see below. This is surely one of the pleasures of entering a bookshop – multiple copies, many volumes.

And, I admit, the smell of a new book is also to be savoured.

The promotional articles are done

Following publication we put ourselves about, writing promotional articles:

Eileen wrote for Mature Times, an article on the fear of ageing and how older people are ignored in commercial promotions. The stimulus for this was Jeremy Paxman’s demonstration of ageism in the FT diaries of 19th August 2016.

At the reception desk of a hotel to which I checked in this week was a pile of free copies of the Mature Times, which calls itself “the voice of our generation”. Oh God, I thought, the cheeky bastards are including me. Back off. For this must be the most unfashionable publication in Britain. Who wants to be called “mature”, like an old cheese? We all know that “mature” means on the verge of incontinence, idiocy and peevish valetudinarianism. They might as well have named it the “Surgical Stocking Sentinel” or “Winceyette Weekly”.

There was a lot more of this kind of thing in his piece. It seemed to us that a man of 66 was not doing his generation any favours, rather it was lazy journalism to accuse us of being on the verge of incontinence, idiocy and peevish valetudinarianism. (I had to look up that last word. It means in poor health or obsessed by poor health, which you probably knew.)

Marianne provided a post for the blog of ILC-UK (International Longevity Centre) on the future challenges of health and care in an ageing society.

She also posted on the Henpicked website, an article called How do you feel about Ageing?

For the Policy Press blog, I did a piece on age-blaming using the example of what people had said about older voters following the EU Referendum.

For the on-line magazine Discover Society we produced a piece about older people and housing, and the need for more affordable housing and for planning to take account of local views and construction that adopts a more age-inclusive attitude.

I found that writing these articles was much like writing the book itself, although more condensed.

Book promotion

Our publishers, Policy Press, have done sterling work to promote our book. In addition we announced the publication

  • on Facebook,
  • on twitter,
  • to every friend,
  • and to every professional connection we could think of.
  • I blogged about it.
  • Some magazine offered copies as a prize.
  • We gave flyers to our local bookshops.

And then …?

We waited.

We waited for reviews.

And for our readers to tell us how good it is, or how they agreed with this or wanted to argue about that …

I have been asked, ‘how’s the book going?’ And I have to say, ‘I have no idea’. I have no idea about sales: what would be good sales, what would be disappointing? Above all, I don’t think the world or even society has changed yet as a result of our book. I don’t know if it has even been nudged. That’s how it goes with most books. You don’t know.

That’s what I have learned, over the years, that after publication one waits. It’s an anti-climax after all that work. And you may never know whether you have piqued the interest of any reader, given them new ideas, encouraged debate. Sometimes people will tell you how important you book was to them, or how they saw it in a bookshop, or they don’t like the cover. But that’s it.

Why do we do it? Why write books? Well why do we?

Copies of The New Age of Ageing are available through the Policy Press website, where you can obtain a discount.

Related Posts

From February until publication day we posted at least once a month about the stages of book production from bright ideas to publication. You can find the posts here:

Publication Day September 2016

Trouble with Titles and Covers (August)

Marketing our Book (August)

Learning to be old by Eileen Carnell (July)

Ageing: it is not ‘them and us’, it is all ‘us’ by Marianne Coleman (June)

Getting feedback to improve our writing (May)

First Catch Your Publisher (April)

One Book, Three Authors (March)

Writers’ Residential (February)

 

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Publication Day. The New Age of Ageing

The New Age of Ageing: how society needs to change, by Caroline Lodge, Eileen Carnell and Marianne Coleman, published by Policy Press on 7th September 2016.

Caroline writes

Publication Day is here! So exciting to see something that we laboured over together, gave to the publisher, saw in various stages of completion and finally have copies in our possession! You can too have a pile of books because Publication Day is here ….

The New Age of Ageing is out. Like my fellow writers, I feel proud of what we have achieved. I am especially pleased that this book has edge, says something that no other book is saying, has used the voices of so many people, has made research accessible to readers.

And what we have to say is in the sub-title: how society needs to change. Too much age-blaming, age-hating and age-fearing going on. I like that we have turned this round so that we provide some different ways of seeing our society, because there will be more older people than previously. There is an alternative to ageism and segregation. We call it age-integration and we suggest ways in which it can be achieved and benefit everyone.

Please read and enjoy and let us know what you think.

280 pile

I asked my co-authors to tell us how how they each feel about the book and what they hope for it

Eileen wrote

Oh the joy of holding a brand new published book in one’s hand. I am thrilled, overjoyed. It is out there and available for the world to read.

And at the same time I am bereft – the book has gone – it doesn’t feel part of me anymore. I do not wake up every morning with that pressing research to consider. It has left a gap in my life.

This has been the pattern over my writing career. I recognise the mixed feelings and I am itching to start the next book. It is there – a little embryo. So I see writing as a never-ending process rather than a finished product. But hold on a minute. Let’s savour the moment.

It is a time to rejoice. I remember the first time a book of mine was published and going out to dinner to celebrate with a co-author. We took the book along and sat it on a chair between us. I don’t quite get the same giddy feeling 40 years on but it is still special moment and a reason to smile. Writing a book is a long slow difficult process taking years to complete. And as previous blog posts suggest getting published can be a really hard, tortuous time. Well, we made it.

The reason we made it is that we worked so well as a team – the three of us writing collaboratively and sharing our heart-felt concerns. The issues really matter to us.

Getting the testimonials suggest that this book is going to be well received:

This book demolishes the myths that dominate the discussion of ageing … a compelling and original account that gets to the heart of what needs to change in order to create a better, more age-inclusive society.

This observation is just what we hope for the book. We want things to change – we want people to think differently about the issues of ageing and to stamp out ageist practices and policies. We want readers to have their senses aroused, personally and politically. We want this book to challenge the stereotypical image of older people as frail and on the scrap heap. And wouldn’t it be fantastic to think that this book represents one small step in bringing about this change.

Marianne, Eileen and Caroline meeting at Kings Place in 2014

Marianne, Eileen and Caroline meeting at Kings Place in 2014

Marianne wrote

Now our book The New Age of Ageing: how society needs to change is actually published and available I feel very pleased and proud of what the three of us have done. It is important to sit back and enjoy this time before starting to think: ‘what about the next project?’

Looking back, it is hard to remember that we actually had to work rather hard to achieve this. What I remember are the wonderful and productive meetings we had from time to time to discuss the development and progress of the book, and in between the meetings, the exchange of dozens of e-mails which kept up the creative and supportive dialogue between us.

I am glad that we went to meet some of the people involved at the publishers Policy Press in Bristol, where looking at the marketing of the book was a further part of the creative process, making us think of who our audience might be and who, in the media might be most interested in what we have to say.

The fact that the book is now in physical form is the end of something for us, but it is the beginning of the book’s real life as it will appear in bookshops, libraries and eventually on people’s bedside tables and amongst their holiday reading and hopefully encourage critical thinking about the popular general view of ageing.

Along with the other two authors, I hope that the book will be read by individuals who are heartened and encouraged by what we have written, as they or others in their family move into older age. We also hope that it will be read and will potentially influence policy makers and opinion formers who will find that their view of older people has been modified. My personal message (see earlier blog) is about not seeing older people as ‘other’. It is not ‘them and us’, it is all ‘us’.

274 New Age

Copies of The New Age of Ageing are available through the Policy Press website, at a 20% discount. It costs £14.99 £11.99. You can also download one chapter for free!

Related Posts

Every month since February we have written posts about the stages from bright ideas to publishing our book. You can find them here:

Trouble with Titles and Covers (August 2016)

Marketing our Book (August)

Learning to be old by Eileen Carnell (July)

Ageing: it is not ‘them and us’, it is all ‘us’ by Marianne Coleman (June)

Getting feedback to improve our writing (May)

First Catch Your Publisher (April)

One Book, Three Authors (March)

Writers’ Residential (February)

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Trouble with Titles and Covers

The New Age of Ageing: how society needs to change comes out on 7th September. One of the hardest bits of writing our book was finding the right title. And another was agreeing the cover design. These two aspects of book production carry the first ideas of the book to possible readers. Despite their importance, for us, both title and cover came after we had finished the manuscript.

274 New Age

Finding the title

For most of its time, from first ideas, through the proposal and contract signing stages, and even as we were writing the chapters, our book was called Ageing now: the impact on individuals, families, communities and society. We had already rejected Positive Ageing and We’re Still Here, although that one made it as a chapter title. You can see where we were going with Ageing Now. But we knew it was not right, and asked the publisher to consider it a working title. What should the book be called?

This is a summary of the contents:

Our society, communities, family and individuals have much to gain and less to fear from our ageing population.

We give innovative ways of considering ageing, challenging widespread account of it as simply problematic and burdensome. We counter ageism and the political opportunism that obscures the opportunities and benefits of age. We reject the common belief that transitions into older age bring inevitable pain, loneliness, depression and dependency whilst recognising the challenges involved.

The book challenges common assumptions about ageing and offers a new vision for an age-inclusive society.

You can access a free copy of Chapter 4 called Time bombs and Agequakes: the economics of ageing: here.

The summary above hardly does justice to our arguments, and yet we had to compress it even further into a title. We wanted to find a title that told our readers that this book is about how all society is changing, and everyone will be affected by increased longevity. We did not want a title that suggested we were guiding people into a happier old age, although we hope it can contribute to that. So out went Positive Ageing, The Joys of Ageing and all associated suggestions. Other suggestions were rejected by the marketing people at Policy Press for not being strong enough.

The hunt for the title took many emails, many, many emails. I consulted my writing group. Emma said that even though we had not yet found the title, it would eventually reveal itself to us, we should be patient. And it did. An idea had come from Marianne’s husband, John. Finally we all agreed on The New Age of Ageing: how society needs to change.

Turning pages of a book by Mummelgrummel, February 2013 via WikiCommons

Turning pages of a book by Mummelgrummel, February 2013 via WikiCommons

Cover

And then we had similar issues with the cover. Just for a moment consider what images you would put on a book about ageing. Older people? Older people being active? We were conscious of the clichéd image of older people on bicycles, tandems and motorcycles with sidecars. We have been writing about retiring and ageing for some years and our publications have been blessed with all these!

We learned about how difficult covers can be on a previous occasion. Some years ago Eileen and I wrote a book aimed at secondary schools. The publisher’s initial design showed primary age pupils looking very learningful. The brief to the designer must have omitted the relevant age.

The trouble with images of people on books is that they often represent stereotypes, or categories. Writing about social policy, changes to society and so on, we wanted an inclusive cover. If people are to be shown the reader has to see people of different ethnic origins, men and women in positive activities (I guess that’s where the bikes come in), in relationship with each other, and in our case, not representing the usual image of older people: passive, miserable, in decline.

230 road sign

We suggested no people. We suggested a neutral image: in our case it’s a rising or setting sun. And we were keen on getting a good strong colour, clear lettering and strong layout. Ideally we would have liked some of Eileen’s artwork, but this was beyond budget. We like the strength of the blue cover, and its ambiguous sun. I referred to the endorsement on the back cover in the previous post on marketing. We hope all this – title, design, blurby bits – will attract readers.

And finally …

… it’s all done. As I write this we are waiting for our printed copies to arrive. One has been seen somewhere in Britain. Publication day is only a few weeks ahead.

The New Age of Ageing: how society needs to change, by Caroline Lodge, Eileen Carnell and Marianne Coleman will be published by Policy Press on 7th September 2016.

Copies of The New Age of Ageing will be available through the Policy Press website, at a 20% discount. It will cost £14.99 £11.99.

Related posts

On the Tricky Topic of Titles (November 2015)

We are writing monthly posts about the stages from bright ideas to publishing our book. Earlier posts include

Marketing our Book (August 2016)

Learning to be old by Eileen Carnell (July)

Ageing: it is not ‘them and us’, it is all ‘us’ by Marianne Coleman (June)

Getting feedback to improve our writing (May)

First Catch Your Publisher (April)

One Book, Three Authors (March)

Writers’ Residential (February)

 

Please subscribe by entering your email address in the box. You will receive emails about future posts.

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Marketing our Book

Writing a book is more than writing a book. It needs marketing. The three authors of The New Age of Ageing: how society needs to change visited the publisher’s offices in Bristol, Policy Press, last week. It was in part an excuse for a day out and for the three of us, Eileen Carnell, Marianne Coleman and me, to meet up for the first time in several months. We received a very warm welcome and continue to be impressed by the many creative young women who work in publishing. The meeting was productive and we are excited about preparing for Publication Day on 7th September. Our job now is to help the publisher get the book to the people who want to read it.

274 New Age

Why have a publisher?

Producing a book, we have learned in the past, is a joint project between writers and publisher. Writing the text of a book is only one step. Without a publisher we could never have reached so many readers for our previous books. And again we find a publisher who helped to improve the writing and will handle promotional activities, distribution to bookshops and report on sales.

145 old hands

We can’t do without them. The expertise of Policy Press led us through the following promotional areas at our meeting.

The book cover, including endorsements

Our meeting with Jess, the publicity and marketing person at Policy Press, began by revising our summary of the book, the blurb, as it appears on the back cover. We had a brief discussion about the word ‘prove’. The researcher in me balks at its use, but we decided it’s a good word to do some of the required work on the cover: Brought alive by the voices of people aged 50 to 90, it proves ageing is not passive decline but a process of learning, challenges and achievement.

We moved on to selecting the endorsements. We had suggested some people they might approach, and some of these people had come up with engaging quotes for the back cover and for inside the book. We are rather pleased with the selection, an eminent MP and a couple of professors and one or two other luminaries. They are all well known leaders in the field of policy, public discourse and research into ageing.

Their words make me blush: compelling case for radically different approach to later life, inspiring book, excellent and eminently readable, welcome light …We hope they will also encourage readers to open the book.

Pitching for articles and reviews

Eileen and Marianne discussing writing points for The New Age of Ageing

Eileen and Marianne discussing writing points for The New Age of Ageing

We plan to hook into some themes that are around at the time of publication, such as housing and suitable accommodation for everyone. We explored what will happen around that time and how to be invited into the discussions and add to the arguments. Our book challenges some widely-held assumptions, and raises issues that are often not heard, so we have to push to get our arguments across. This is where marketing and promotion gets interesting, because it is of course about engaging people in what we have laboured to write. This is not like selling baked beans, or offering quantity (BOGOF). We have something to say and we want to be heard. We believe in what we have written: the authors’ moral commitment is obvious, according to one testimonial.

We moved on to discussing where we would like to see the book reviewed: journals, current affairs, magazines, and so on

Social Media activities

Our twitter hashtag is developed, #newageofageing, and we plan to tweet like mad – well, those of us who have twitter accounts; and to promote the book on Facebook, Linked-In and through other connections. We talked about coverage on this blog, Bookword, and Policy Press’s blog and others we can get to. Any invitations? We would really like you to be involved.

Other activities

There are some other possibilities too: postcards, flyers, articles, bookshops, speaking events, radio shows … We each began compiling lists of possibilities.

During the meeting Jess mentioned that the book goes to the printers this week. Hard copies will be available soon. The approach of publication day is exciting. We are proud.

And in all this activity and excitement we found time for the three of us to discuss our next writing project. Watch this space!

Turning pages of a book by Mummelgrummel, February 2013 via WikiCommons

Turning pages of a book by Mummelgrummel, February 2013 via WikiCommons

The New Age of Ageing: how society needs to change, by Caroline Lodge, Eileen Carnell and Marianne Coleman will be published by Policy Press on 7th September 2016.

Copies of The New Age of Ageing will be available through the Policy Press website, at a 20% discount. It will cost £14.99 £11.99.

Related posts

A Little Rant about Marketing Books Like Cornflakes on this blog in November

We are writing monthly posts about the stages from bright ideas to publishing our book. Earlier posts include

Learning to be old by Eileen Carnell (July 2016)

Ageing: it is not ‘them and us’, it is all ‘us’ by Marianne Coleman (June)

Getting feedback to improve our writing (May)

First Catch Your Publisher (April)

One Book, Three Authors (March)

Writers’ Residential (February)

 

Please subscribe by entering your email address in the box. You will receive emails about future posts.

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Ways with Words and the Point of Literary Festivals

What is the point of a literary festival? It is an aspect of the business side of publishing books. It provides writers with a platform for their ideas and, if the author is lucky, a pot of jam or some such in payment. It provides revenue for the venue, and B&Bs in the area. And for the punters? What’s in it for them?

Queuing for Shirley Williams

Queuing for Shirley Williams

Ways with Words, a ‘festival of words and ideas’, is held annually in July, in Dartington Hall, Devon. I live less than 10 miles away so I can pick and choose my sessions without spending a fortune, and this year I picked three.

AL Kennedy, Serious Sweet and extending herself.

Extending yourself for others. This is how AL Kennedy described writing, and thereby claimed it as an act of love. She read from her new novel Serious Sweet, published in May. The reading was excellent, bringing alive both dialogue and inner monologue. It was also funny, witty, sharp, a bit sweary and very perceptive.

269 SeriousSweet cover

She was asked some questions, the kind one might anticipate. Who are your influences? Why are you AL Kennedy not Alison? Tell us how to write! Her answers reminded us that

  1. AL Kennedy is also a stand-up comedian with the ability to ad lib on a topic;
  2. She is very reflective and self-aware;
  3. She has a wonderful way with words.

The answer to how to write is to find a place of safety, do your best, ‘and the rest is grammar, which you can find in books’.

You can find her website here.

What is the point of literary festivals? To hear writers such as AL Kennedy, and be enthused all over again about the value of writing.

Katy Norris and Christopher Wood

Which came first, the exhibition or the book? This question was asked after Katy Norris had told us about the life and work of Christopher Wood. She is curator of Pallant House, Chichester, where there is an exhibition of his work. She told us of her enthusiasm for the research, looking at the many influences on his life, and the circles he moved in in the 1920s in Paris and England.

269 KNorrisCwood

The book and the exhibition had progressed together, a dynamic process whereby the one informed the other. Sounds like the best non-fiction writing process.

What is the point of literary festivals? To hear a new perspective on an art exhibition. Last year I learned about Eric Ravillous.

Christopher Wood, self-portrait, 1927, Kettle's Yard, Cambridge

Christopher Wood, self-portrait, 1927, Kettle’s Yard, Cambridge

Richard Fortey in the Woods

The third presentation was my only celebrity event. Richard Fortey was scheduled against an even bigger celebrity, Shirley Williams, and still managed to fill the hall. He told us about a year in his woods, a 4-acre beech wood in the Chilterns. We learned how interconnected are the history, geology, biodiversity, changing economics, changing land use, and effects of different life forms from mountain bikers, to grey squirrels and a moth that infects trees. These last three can all cause damage, but Richard Fortey appears to be a force for good, which means biodiversity. He’s published a book called The Wood for the Trees: one man’s long view of nature.

269 Wood for the trees cover

What is the point of literary festivals? To learn from experts and enthusiasts, and about newly published books.

And finally …

101 RWA coverWhat is the point of literary festivals? Two years ago Eileen and I got our own moment in the spotlight when we shared a session called Growing Older with Angela Neustatter, grandstanding our previous book Retiring with Attitude. It’s about getting a platform and a pot of jam.

 

 

Related Posts

Ways with Words July 2014, in which we anticipated our presentation.

Ways with Words – part 2, in which we reflected on our presentation.

 

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Learning to be old

There are three authors of New Age of Ageing. I am one. I asked the other two to reflect on what writing the book meant to each of them. This month, on her return from holiday, Eileen writes about three important contradictions, conundrums and challenges about ageing.

  1. Performing old
  2. Covering the signs of ageing
  3. Not heading for the scrap heap.

Eileen on air at the BBC

Eileen on air at the BBC

This is what Eileen Carnell wrote for Bookword blog:

It has been an absolute joy to work with Caroline and Marianne over the last two years writing our new book The New Age of Ageing: How society needs to change. We interviewed fascinating people and carried out numerous searches. The most stimulating part of the process was the dialogue we had together creating new ways of understanding the issues and then finally creating our vision to conclude the book. The whole process was extremely challenging, fun and inspiring.

Reflecting now, just over a month before publication date, has been useful in highlighting some contradictions, conundrums and challenges about ageing that I have found particularly striking.

Performing old?

I was excited when I came across the idea that we learn to ‘perform’ or act old. As a feminist researcher I was aware of the concept of performing gender. Relating the idea to ageing was incredibly useful. I was amused by what Ruth said: ‘I am aware of changes, hearing myself making sitting down and standing up noises like an old person’. There are clear rules in our society about what old people should and shouldn’t do and wear and behave, just as there are clear expectations for women in our society.

Jenny’s remarks nicely illustrate the idea that we learn to perform old:

Me and my partner are experimenting with being old for a few days … he’s had a hernia repair, I pulled a muscle in my hip. … S’interesting the sorts of things that one might need to get ‘a young person’ in for eventually … changing the bed linen for starters.

I like the ironic tone of this message. Jenny knows the situation is temporary – a rehearsal. But beneath the message speaks truth – an agreed cultural understanding of performing ‘old’ and how relationships with family, friends and younger people change as a result. Those who fail to conform are criticised or ridiculed. When Mike was preparing for a triathlon, aged 70, friends said ‘You must be mad at your age, you crazy man of excess. Why don’t you just put your feet up?’ The dominant image of older people is of decline – take that road sign of bent old people with sticks for example.

230 road sign

A contradiction emerges. There is a powerful message in our society that it is our duty to age well and healthily. That means being super fit and active for as long as possible, regardless of social background, economic status or level of physical ability. A blame issue develops: ‘they should have looked after themselves’.

Reading the work of Lorna Warren and Amanda Clarke helped me make sense of this conundrum. They draw attention to the idea that in attempting to counterbalance the ubiquitous images of decline it is important not to create new unachievable oppressions of physically fit, creative, active, adventurous ageing (see note 1). When writing I recognised the temptation to overdo the positive aspects which gives weight to this new tyranny.

Covering signs of age?

Part of the tyranny is to hide signs of ageing – age denial. My sister Sheila, who was the prettiest of us three siblings, sent me a picture of her new face following Botox treatments. I was shocked and saddened, but in her 60s she was entitled to make this decision, although I felt it spoilt her looks, making her face looked ironed and her smile forced. But when I saw the headline: ‘Pageant Mom Gives Botox to 8-Year-Old’ that revealed the story of a mother administering Botox to hide her daughter’s wrinkles I was horrified (note 2). We three authors spent a long time considering our own attitudes towards the cover up. We agreed that this example of seeking perfection was an extreme form of cultural oppression. But where do you draw the line? Opinion is divided. Some see the use of cosmetics and treatments as empowering. It is clear that beauty ideals dominate many women’s lives and there is a growing belief that ageing is like a disease that can be cured. Subsequently the cosmetic business exploits women’s fears. I have come to the conclusion that if we persist as a society in hiding age then we will never re-educate ourselves to see beauty in the faces and spirits of older people.

Heading for the scrap heap?

Society does something strange to us as we age. We are no longer valued participants but seen as a burden, a problem or redundant. While many older people want to contribute they find it difficult to find ways to share their skills. Ray expressed his frustration after he retired from his role as a surgeon in a teaching hospital:

It’s such a waste. I could be a mentor or use my wisdom in other ways in an advisory capacity. I have so many transferable skills and it’s as if nothing I did in my professional life has any value any more. I feel I am on the scrap heap.

This is so sad. The challenge is to create structures and forums so that older people can share their wisdom and experience rather than leave it to chance.

I met an inspiring retiree, called Mo, who moved to a village in South Africa to set up a school. She said:

For me the way forward is clear – to tap into the global wisdom of so many who have reached retirement. There is immeasurable wisdom which could have a huge impact on so many in the world today.

I like the clear statement that old people need to be recognised as ‘assets rather than burdens … active contributors, not passive recipients’ (note 3).

Many older people, like Mo, do find ways to benefit society. We came across many who are still active in local, national or international politics and are vociferous in campaigning for a better world and in fighting ageism. The penultimate chapter of the book celebrates their contributions demonstrating there is no shortage of older radicals.

 

References

(1) Warren, L. and Clarke, A. (2009) ‘“Woo-hoo, what a ride!” Older people, life stories and active ageing’, in R. Edmondson and H.J. von Kondratowitz (eds) Valuing older people: A humanist approach to ageing, Bristol: Policy Press, p 244.

(2) ABC News (2011) Pageant Mom Gives Botox to 8-Year-Old Daughter: How Young Is Too Young? May 12, 2011. By Hagan, K., Kunin, S. & Ghebremmedhin. S. via GoodMorning America. (Accessed 23.06.15).

243 New Age cover(3) Roberts, Y. (2012) One Hundred Not Out: resilience and active ageing. London: The Young Foundation.

The New Age of Ageing: how society needs to change, by Caroline Lodge, Eileen Carnell and Marianne Coleman. To be published by Policy Press on 7th September 2016.

Related posts

We are writing monthly posts about the stages from bright ideas to publishing our book. Earlier posts include

Ageing: it is not ‘them and us’, it is all ‘us’ by Marianne Coleman (June 2016)

Getting feedback to improve our writing (May)

First Catch Your Publisher (April)

One Book, Three Authors (March)

Writers’ Residential (February)

 

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Ageing: it is not ‘them and us’, it is all ‘us’

There are three authors of New Age of Ageing. I am one. I asked the other two to reflect on what writing the book meant to each of them. Eileen has gone on holiday, so her reflections will appear in July. Marianne writes about three things:

  1. Her own learning, particularly how writing the book had clarified her thoughts about the ageing process and its implications for all of us.
  2. Writing the book also made her face up to her own attitudes, anxieties and concerns about ageing
  3. She also thought about the process of writing which was unusual as it involved collaboration between three of us and had to be fitted into everyone’s already busy schedules

This is what Marianne Coleman wrote for Bookword blog:

261 Marianne

  1. Clarifying my thoughts

What about the ageing process? Most importantly there are all the implications arising from longer life expectancy and also there are changing and more youthful attitudes amongst older people. Both of these mean the following:

We need to think differently about ourselves, recognise that the balance of age groups is changing and then do some adjusting.

We have to make sure that old people are properly provided for to live a dignified and useful life, but also see that they are the most tremendous resource and that life in older age can be fun and exciting.

We need to drop our stereotypes around ageing, most of which revolve around decline and the end of a useful life.

The change in attitudes means having more flexibility about employing people, and recognising that older people contribute massively as volunteers in the charity sector and in supporting each other and their families.

Above all we need to recognise that older people are not separate or different from the rest of the population. It is not ‘them and us’, it is all ‘us’.

It is not “them and us”, it is all “us”.

There are too many people who preach an opposite message of division between the generations even blaming older people for the economic and social problems of today. Constructive and clear sighted attitudes to older people, not blame, will help not only those who are old now, but those who will be old in 10, 20 or 50 years’ time. We need a new mind-set about ageing.

  1. My own attitudes to ageing

What about my own attitudes anxieties and concerns about ageing? I am the product of my time, belonging to a generation growing up in the 1950s and 1960s and our generation does not so willingly accept the stereotypes and expectations that are associated with ageing. Many of us see ageing differently now that we are those older people. Researching for and writing the book has given me even more of a perspective to stand back and see the changes relating to ageing in progress, and to recognise for example that beauty is not just in youth but also in maturity and decline. Dropping any lurking stereotypes about age, I have become less judgmental in the ways that I look at people of all ages. I can’t pretend that I have no anxieties about getting older. In common with the people we interviewed I am concerned about health issues and how they might impact on me and when.

One side benefit of researching and writing the book has been the opportunity to give some thought to death. Although we were interviewing older people about their attitudes to ageing it was surprising how little the topic of death came up. It seems that people avoid thinking about it and sometimes never discuss anything about it even near the very end of life. In one of the chapters I did write about death and what was said in interviews and in particular reading Atul Gawande’s book Being Mortal made me realise how important it is to be more open about this final stage of life and to talk to your family and close friends about what might be important to you at the end.

  1. Writing together

What about the process of writing? The best thing was the times that the three of us worked together to construct the outline of the book and then to fine tune it and finally to comment on drafts of chapters. This process only worked because we know and trust each other and have respect for what each of us says. Working together was creative and it was exciting to take an idea and expand it or make links that I had not seen before. The feedback on individual chapters was invaluable. It is very reassuring to be able to try out ideas and test them on your fellow authors. I wrote in a previous blog about the importance of feedback on drafts.

Not one but two books

Overall I can honestly say that writing the book was an enjoyable experience. But I am glad to take a rest, particularly as circumstances meant that at the same time that I was collaborating on this book I was also collaborating on a book on a completely different topic. That book is called Leading for Equality: Making Schools Fairer where my co-author is Jacky Lumby. I managed the process of writing two books at the same time by some careful timetabling and taking one chapter (of whichever book) at a time and seeing each chapter as a separate project. There were also times when there was a lull in the progress of one book as fellow authors had to turn their attention to other projects too. Writing two at the same time was challenging but very rewarding. The books are very different but both have fairness and social justice at their heart so the move from one book to another did not jar.

One problem now is that all the administration associated with book production (editor’s queries, questions about marketing the books, proofs etc.) is all arriving together. Still just take one thing at a time …

The New Age of Ageing: how society needs to change, by Caroline Lodge, Eileen Carnell and Marianne Coleman. To be published by Policy Press on 7th September 2016.

243 New Age cover

Related posts:

We are writing monthly posts about the stages from bright ideas to publishing our book. Earlier posts include

Getting feedback to improve our writing (May 2016)

First Catch Your Publisher (April 2016)

One Book, Three Authors (March 2016)

Writers’ Residential (February 2016)

 

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Getting feedback to improve our writing

Not all feedback helps to improve writing. Have you ever-experienced killer feedback? It’s the kind of feedback that makes you feel ashamed, humiliated and as if you wanted to put away the writing for ever. Everyone I know has received it at some stage. I remember the reviewer’s comment on an article I’d submitted to an academic journal. This was the sentence that did it: If the author aspires to an academic position they should learn how to reference. It was doubly killing as a) I was already a university lecturer and b) there was nothing wrong with the referencing. Nevertheless I abandoned the article on the spot.

Yet feedback can be very helpful. The three authors of The New Age of Ageing sought out readers to provide different types of feedback, and to learn from and improve our writing by taking their comments into account. Here are our reflections on our learning from this process.

243 New Age cover

Marianne Coleman says

We have asked for and received feedback throughout the writing of the book: right at the start on the proposal; on individual chapters and on the full draft.

It was really important to get feedback on the proposal. The publisher asked us to suggest suitable people to read our initial proposal so that they got a view on the viability of the book. That feedback was positive and constructive, and we took it into account when finalising the proposal, which was the initial skeleton of the book.

Throughout the course of the writing we were getting feedback from each other. For me the best thing about having co-authors has been the process of shaping the individual chapters and the book through the wonderful discussions we had each time we met. We also gave feedback to each other on draft chapters and that was incredibly useful. Obviously this can only work when you trust each other and can be honest, open and respectful of each other’s work and feelings.

In a wide-ranging book like ours, we covered areas where we were not necessarily fully expert and it was vital that we checked our facts with people who were. Their invaluable feedback enabled us to have confidence in what we were saying, but we found that we had to use our judgment about how much of their advice and how many of their suggestions to incorporate. Sometimes the sophistication and detail of their arguments were too much for the general nature of the book and more suitable for a thorough exploration of their particular area of expertise. This meant that sometimes after incorporating expert suggestions, they were trimmed back for the final draft.

A particularly useful feedback came from one of our readers at the point where we had a nearly complete draft. She came back with some vital over-arching comments including that we had not really established the standpoint from which we were speaking. This feedback made us think hard and helped us sharpen our thoughts and message for the final version.

The most recent feedback came in the form of editor’s queries. Although these tended to be mainly about consistency of spelling, punctuation and missing references, sometimes the editor has picked up a badly expressed thought that can be refined and improved for meaning.

But that is not the final feedback. That will come from our readers!

DSC00853.JPG

Eileen Carnell writes

What we know for sure is that feedback can help authors become much better writers. But asking for, writing and getting feedback can be a tricky business. The process can be emotional and needs to be done with care. Here are 7 important points about feedback.

  1. You have to trust the readers of your work.

You need to have a good relationship and be prepared for the experience to be reciprocal. You are asking people to be generous with their time and be encouraging while providing authentic critique. Providing effective feedback is a highly skilled process. It’s about providing information, not about giving advice.

  1. All information about your writing can be useful.

Information can vary from seemingly small technical suggestions to comments about the overarching themes, consistency of arguments, important missing elements and the value of the project.

  1. Information provided is for the writer to work with.

As one reader said: ‘… just things which would have made my own reading of it easier – for you to take or leave as you feel fit,’ indicating that he knew that the writers are decision makers, not passive recipients of the comments.

  1. It can be helpful to ask readers for specific information.

We were particularly keen to know whether the voices of the three different authors were knitted together across the book and were keen to know if male readers would feel included.

  1. Getting feedback can be an emotional process.

Constructive criticism from others may feel like a criticism of the person rather than a critique of the writing as Caroline suggests when talking about ‘killer’ feedback. This may be even more the case when writing fiction.

  1. It can be helpful to get feedback from people who don’t know much about the themes or who are not experienced writers themselves.

Non-experts may ask questions that indicate that further explanation is needed, whether the writing is clear and if the argument is consistent.

  1. There are different ways of relaying information about others’ writing.

Everyday use of the term feedback (the dominant view) suggests the reader presents information to the writer – a one-way process. We describe this feedback as Gifts (see note). In other situations the nature of feedback has a social dimension, rather like Ping-Pong, where ideas are tossed back and forth and involve making connections. There are shared insights and new meanings established. Feedback here is a two-way process. The third example, our favoured kind, is what we define as Loops. Here there is an equal power dynamic in which new knowledge and concepts are created through dialogue.

255 Fbk for L cover

Caroline adds

On a writing course once, I was reminded that you cannot stand alongside everything you write and explain to the reader what they have not understood. In fact it is rare to receive comments directly about your writing. So when you get the chance, listen to the comments, take them into account and learn from them. You don’t have to agree or act on all of it. I try to remember this.

We would like to thanks the readers of the whole book who took on a huge, time-consuming task. We are very grateful for their generosity and expertise. We are also indebted to the many readers of individual chapters who made really helpful observations. Even though there were three of us writing this book getting feedback breaks the isolation of writing and it is really good to get a range of different perspectives.

Note: Askew, S & Lodge, C (2000). Gifts, Ping-Pong and Loops – linking feedback and learning, in Askew, S. (Ed) Feedback for Learning. London: Routledge.

The New Age of Ageing: how society needs to change, by Caroline Lodge, Eileen Carnell and Marianne Coleman. To be published by Policy Press on 7th September.

Related posts

We are writing monthly posts about the stages from bright ideas to publishing a book. Earlier posts have included

First Catch Your Publisher (April 2016)

One Book, Three Authors (March 2016)

Writers’ Residential (February 2016)

A post focussing on relationships in the feedback process is Critique Etiquette: the Ultimate Guide for Giving and Receiving Feedback by Angela Ackerman on Writers in the Storm blog in March 2015

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