After Leaving Mr Mackenzie by Jean Rhys

My choice for the 1930s club is After Leaving Mr Mackenzie by Jean Rhys. Published in 1930, it was her second novel, and is set in sad rooms in Paris and Bloomsbury in London. Julia is a young woman who has no independent means of support. 

The 1930s Club is hosted by Kaggsy’s Bookish Ramblings and Simon at Stuck in a Book. You read a book from the year and post your thoughts on it, linking to their blogs. Simples, and a great way to pick a book that you might not otherwise read. It suits me perfectly, because I don’t want to chase new books all the time, but reread books and read published books, especially from the 20th century. 

After Leaving Mr Mackenzie

Janet finds herself in a sad room in a down at heel hotel in Paris after she has split up from Mr Mackenzie. It is clear that she has been financially dependent upon the men she slept with, but Mr Mackenzie’s solicitor has cut off her weekly allowance.

What is she to do? Increasingly desperate she finds Mr Mackenzie in a restaurant and challenges him. Later she is pursued by Mr Horsfield who takes pity on her but cannot manage her. She returns to London, where her sister Norah is behaving properly but is no more successful than her. Their mother dies and Janet gets nothing. She returns to Paris and continues to sink. In the last scene she once again receives money from Mr Mackenzie.

It’s a novel about managing life, or rather about the mistaken idea that life can be controlled. Propped up by convention the men believe they do control it, but it is clear that Julia challenges this notion.

Is this autobiography?

The young Jean Rhys

‘How this hopelessly inept, seemingly incomplete woman could write with such clarity, power and grace remains a mystery,’ said her editor, Diana Athill.

And indeed it might appear that this novel is autobiographical. Other sources suggest that while Jean Rhys drew from her experiences, there is a crucial difference: 

‘A novel has to have a shape, and life doesn’t have any.’ 

This quotation from the author can be found in Diana Athill’s introduction to Smile Please: an unfinished autobiography by Jean Rhys (1979).

Much of After Leaving Mr Mackenzie concerns people trying to control their lives. Janet is poor at it, and moves from one gentleman to another, borrowing money and asking favours. She appears to be managing very badly. The men in her life, and her sister, are not doing much better. The men draw on conventions to try to appear in control. But Mr Mackenzie is at a loss when Julia appears in the restaurant in which he is dining. She complains that his lawyer has said there will be no more cheques. 

Mr Mackenzie thought, ‘Never again – never, never again – will I get mixed up with this sort of woman.’

His collar felt too tight for him. He thrust his chin out in an instinctive effort to relieve the constriction. The movement was exactly like that of a horse shying. (25) 

Mr Mackenzie vacillates between horror of what she might do and attempts to humiliate her. After a moment, this happens.

A cunning expression came into Julia’s face. She picked up her glove and hit his cheek with it, but so lightly that he did not even blink.

‘I despise you,’ she said.

‘Quite,’ said Mr Mackenzie. He sat very straight, staring at her.

Her eyes did not drop, but a mournful and beaten expression came into them.

‘Oh, well,’ she said, ‘all right. Have it your own way.’

Then, to Mr Mackenzie’s unutterable relief, she gathered up her gloves and walked out of the restaurant. (26)

Jean Rhys, while she suffered from men’s behaviour towards her, did not resent them. Indeed she claimed in a radio interview that writing about such incidents, while autobiographical, was also therapeutic. It purged her unhappiness. Once something had been written out, she said, it was done with. (Quoted by Diana Athill in Smile Please).

Jean Rhys was innovative in this novel, for example she uses multiple points of view to show her protagonist’s situation. We are taken into the heads of the people she meets, or reports on, and by this means we are shown how Janet is a challenge to people. She has not left Mr Mackenzie at the start of the novel, although she does leave him at the end. He is still as self-satisfied as at the start, and while he may not want to be ensnared by another woman like Julia, we know that he will go on exploiting women.

Julia, in short, is like that person on the street whose eye you do not want to catch. She makes you feel uncomfortable. Yet you pity her for not managing her life. But in truth all lives are, to some degree, unmanageable. We are all just a small step away from chaos or disaster or poverty. 

No one who has read Jean Rhys’s first four novels [After Leaving Mr Mackenzie was her second] can suppose that she was good at life; but no one who never met her could know how very bad at it she was. [Diana Athill in Stet.] 

After Leaving Mr Mackenzie by Jean Rhys, was first published in 1930. I used the  Penguin Modern Classic edition (2000) with an introduction by Lorna Sage. 138pp

Good Morning, Midnight by Jean Rhys was reviewed on Bookword in July 2013.

The Romantic Life of the writer Jean Rhys was published in September 2016, in which I suggested that it is amazing that Jean Rhys wrote so well in the light of her considerable difficulties.


Filed under Books, Reading, Reviews

9 Responses to After Leaving Mr Mackenzie by Jean Rhys

  1. Marianne Coleman

    Thank you for this Caroline. As you know I am a great admirer of Jean Rhys’s work, but I wonder how much it appeals to younger generations, particularly feminists. I lent ‘Good Morning Midnight’ to a 30 something woman who did not warm to the portrayal of women and their relationship to men.

    • Caroline

      Hi Marianne,
      I think it is easy to see Jean Rhys’s characters, the women, as rather pathetic. They appear to have very little agency, and spend too much time in grimy rooms in Paris.
      But I think Rhys is showing us how easily women are exploited by men, and I dont think it is much different today.
      Thanks for the original impetus with Good Morning, Midnight.

  2. Great post Caroline – Rhys’s writing is very distinctive, but like Marianne I do wonder how modern women would see her characters. Yet basic human nature doesn’t change much, and I guess the relationships between men and women are just as complicated nowadays, but in different ways.

    • Caroline

      I have seen some of Elizabeth Taylors older women described as eccentric (eg in Mrs Palfrey). I think something similar happens here, that if you dont see the pressures that keep Rhyhs’s protagonists in their dependent state you might think them a bit pathetic. As I said in the blog post, I think she points out how none of us manage very well, none ofus are far from disaster.

  3. Alas, I’ve seen too many Julias to think that the younger generation are that much better at managing relationships. What they do have is more choice about how to earn a living. I could see this book rewritten, set in the present day, with a discarded footballer’s mistress, for instance, threatening to tell the papers…

    • Caroline

      Glad you read this and left this comment Marina. I agree with you. I think Jean Rhys has a great deal to say to us today, but perhaps in rather out-dated settings. Parius and Bloomsbury are not quite the same as in the late 1920s.Not sure where I would relocate the stories in updating them.

  4. Pingback: #1930Club: kicking off! – Stuck in a Book

  5. Lovely review! ‘Sad rooms’ is such a good description for the setting of Rhys’s books. I haven’t read this one yet, but it rings true for others. I find her such a fascinating figure – Athill writes about her so well in Stet.

    • Caroline

      Hi Simon. I seem to have needed to approve this comment, which is why it didn’t appear immediately.
      I agree that she is interesting for her life as well as her writing. I recently bought the unfinished autobiography I mention in the post. Expect more.

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