Tag Archives: The Faraway Nearby

Rebecca Solnit and How to be a Writer

Rebecca Solnit is a writer I admire very much. She writes beautifully and she writes about important things: walking, hope, distortions in public life, feminism, and above all about the importance of having a voice. This theme runs through all her writing. You will find links to several posts that refer to her work at the end of this one.

About a year ago Lithub.com published How to Be Writer: 10 Tips from Rebecca Solnit. In every one of her 10 tips there was some wisdom and wit. If you are a writer you might do no better than read the original: here.

How to be a writer

I like to read books about writing, and books for writers. I like to read the advice of writers I admire, including Rebecca Solnit even if they say the things I have heard before, seen everywhere. Here are my responses to her tips:

Write and read

To be a writer you must write and you must read. Thanks also to Stephen King (1999) On Writing, Anne Lamott (1994) Bird by Bird, Francine Prose (2006) Reading Like a Writer and to many other writers. To write well you must write, write lots, write frequently, write more. And you must read, read recently published books and read from the past, read in your field and outside it, read for pleasure and to critique. Read.

Writing is more than typing

I love Rebecca Solnit’s claim that writing is more than typing because it gives me a reason to walk on Dartmoor or by the sea, to visit places, to talk to people about my writing and to practice my developing skills as a writer.

Remember that writing is not typing. Thinking, researching, contemplating, outlining, composing in your head and in sketches, maybe some typing with revisions as you go and then more revisions, emendations, additions, reflections, setting aside and returning afresh, because a good writer is always a good editor of his or her own work.

All those actions – 12 of them listed above – are necessary. I was involved in all of these this morning as I grappled with redrafting the opening scene of a short story. I related particularly to emendations, additions, reflections, and now the draft sits waiting for the next time I work on it, set aside.

Pay attention to your own feedback

Listen to your own feedback and remember that you move forward through mistakes and stumbles and flawed but aspiring work, not perfect pirouettes performed in the small space in which you originally stood.

Pirouettes indeed! But yes, and this is difficult, learning to listen to your own responses to you writing.

I read the sentence again and note the perfect rhythm of the sentence. And also that it perfectly captures the difference between learning to develop capacity and skill and learning to perform for a test or for popularity.

You need some time, some passion and a little joy

All writers know this, but it’s good to say it out loud, or to write it down:

It [writing] takes time. This means you have to find the time.

And you need to believe in what you are writing, so this requires passion and joy:

If you’re not passionate about writing and about the world and the things in it you’re writing about, then why are you writing?

Good question. And you need to bring the joy to bear when you might not feel up to the writing, when inspiration is lacking, and around you everything is depressing.

And finally, and perhaps most importantly, and referring back to the importance of voice she says:

The process of making art is the process of becoming a person with agency.

The artist produces meaning rather than consuming it.

Thank you Rebecca Solnit.

And I shall be I the audience when you visit Bristol on 1st November 2017. Rebecca Solnit will be in more places in the UK around that time.

Some links

How to Be Writer: 10 Tips from Rebecca Solnit on Lithub.com

Hope in the Dark: Untold Histories, Wild Possibilities by Rebecca Solnit in January 2017

The Faraway Nearby by Rebecca Solnit

Men Explain Things to Me and other essays by Rebecca Solnit (2014) Granta. I posted on Bookword about this book and mansplaining in May 2015

The Mother of All Questions by Rebecca Solnit, published by Granta, September 2017.

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Men Explain Things to Me

I’m out walking with a friend. We check the map to be sure where we turn off the path. ‘Are you lost?’ a passing man asks. And he proceeds to take the map from us and to tell us where we are (we knew) and which road to take (ditto). Is that a familiar scenario? It’s the kind of thing Rebecca Solnit would recognise, and she wrote about it in her essay Men Explain Things to Me. Originally published on the TomDispatch blog in April 2008, the essay led to the coining of the word ‘mansplaining’, although not by Rebecca Solnit herself, who avoids the implication that ‘men are inherently flawed in this way’ (see dedication below).

175 Men exp coverReading about walking and how walking and writing and story telling are interconnected I came across the wonderful and multi-talented and multi-knowledgeable Rebecca Solnit. I referred to The Faraway Nearby in my previous post (here), and how it distracted me from other reading while on my walking holiday. I had been waiting for the publication in book form of her essay Men Explain Things to Me since I came across references to it and to her writing. It’s available now.

Men Explain Things to Me

‘Every woman knows what I am talking about,’ says Rebecca Solnit, as she gave her hilarious account of a man explaining. She told him she had been writing about Muybridge, and he informed her that she should read this important book that had just been published. He resisted three or four attempts by a friend to let him know that this was Rebecca Solnit’s book before he finally took it in. ‘He went ashen.’

Giving explanations of this kind involves not listening, and denies a voice to, woman, suggests they don’t know about things and implies women’s ignorance and their need for the authoritative material to be delivered by a man.

But Rebecca Solnit’s essay is about much more than the annoying experience of being mansplained, silenced, assumed ignorant. In a postscript reflecting on responses to this essay (including being told by some men that she didn’t know what she was writing about) she included these paragraphs, leading us into the other essays in this collection:

I surprised myself when I wrote this essay, which began with an amusing incident and ended with rape and murder. That made clear to me the continuum that stretches from minor social misery to violent silencing and violent death (and I think we would understand misogyny and violence against women even better if we looked at the abuse of power as a whole rather than treating domestic violence separately from rape and murder and harassment and intimidation, online and at home and in the workplace and in the streets; seen together, the pattern is clear).

Having the right to show up and speak are basic to survival, to dignity and to liberty. I’m grateful that, after an early life of being silenced, sometimes violently, I grew up to have a voice, circumstances that will always bind me to the rights of the voiceless. (16)

The Big Picture

The dedication to this collection of essays begins

For the grandmothers, the levellers, the men who get it, the young women who keep going, the older ones who opened the way …

I especially admire Rebecca Solnit’s ability to draw the bigger picture, to link the minor social misery to more extreme and brutal forms of silencing. In a more recent essay (2011) she draws a very clear parallel between the IMF’s exploitation of third world countries and the assault by Strauss-Kahn, the ex-head of the IMF, and other men of power of women, who often come from the same exploited areas of the world (Worlds Collide in a Luxury Suite: some thoughts on the IMF, global injustice and a stranger on a train).

Dominique Strauss-Kahn graffiti in the "Abode of Chaos" museum of contemporary art, in Saint-Romain-au-Mont-d'Or, Rhône-Alpes region, France. Picture by Tierry Ehrmann via Wikicommons

Dominique Strauss-Kahn graffiti in the “Abode of Chaos” museum of contemporary art, in Saint-Romain-au-Mont-d’Or, Rhône-Alpes region, France. Picture by Tierry Ehrmann via Wikicommons

Rape, and the fight back by the women of Delhi, the ‘disappeared’ of South America and the mothers and grandmothers who would not be silenced about their loved ones, gropers on trains who are pelted with grapefruits, the struggle for marriage equality and how gay marriage has challenged the traditional institution of marriage, the removal of women from history through male genealogies, and mansplaining; they are all connected, reproduce inequality, demean us all and silence so many.

175 Womenppower symbolShe pays too frequent tribute to ‘the men who get it’ for me, but I guess that in this collection of previously published essay each one has to reassure readers that some men do get it, and that’s a good thing. Actually it is an important message that men are not inherently flawed. If they were change would be impossible and there would be no hope for the world.

There may not be anyway, but that’s another aspect of this story.

The writing

Beautiful prose. Such a knowledgeable writer. Again, you should read Rebecca Solnit.

 

Rebecca Solnit (2014) Men Explain Things to Me and other essays Granta Books 130pp

For a blogger’s take on Mansplaining in detective fiction see Miss Marple vs the Mansplainers: Agatha Christie’s Feminist Detective Hero by Alice Bolin on the Electric Lit blog.

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Bookword in Alsace

I spent the first week of May this year walking in Alsace. I took some reading, heard some excellent stories and came across some bookish things along the way. Here’s one of them, seen on a gatepost on our last day, walking through Ammerschwihr, a village between Turckheim and Kaysersberg.

174 stone girl reading

Reading in Alsace

I planned to read The Erl-King by Michel Tournier in my non-walking hours. It was the only Alsace-related novel I had found that interested me. But I didn’t finish it before my return. This was because

  1. I was also reading the fabulous Rebecca Solnit’s The Faraway Nearby, and thoroughly immersed in her erudite and fascinating writing about Frankenstein, Innuits, Che Guevara, apricots, the Grand Canyon and other equally engaging topics. Much of her book is about having a voice and the importance telling stories.
  2. I was worn out by walking up and up and down. I needed a wee lie down every afternoon.

I also took with me to read the latest in Peirene’s subscription: Reader for Hire by Raymond Jean. I will finish both these French books very soon and you may find more about them on this blog.

Stories in Alsace

On hearing about the witches of Riquewihr I amused my fellow walkers by exclaiming that the region must be one of the most sexist! The witches’ dispatch was necessary for the quality of the grape harvests, we were told. And the female saints of Alsace, in particular, had a very hard time: St Odile and St Richarde. Both were treated badly by men close to them who should have known better.

174 storks

Storks did rather better than saints. We came across this charming pair of storks in Katzanthal. Their ‘swinging’ habits could have contributed a few episodes to a soap opera. I think this is Marguerite and her new partner Arnold. But it might be Balthazar, her original partner, with her younger replacement, who currently ‘keeps him company’.

174 vineyardsOur walks provided ample stimulus for a storyteller’s imagination: castles, Hansel and Gretel houses, Heidi meadows and dark woods. And if the creativity lagged there was always the wine, the vineyards, the Rhine valley and the people we met along the way.

174 castles

Book Exchange

I nearly missed this delightful book corner in Ribeauville, as I was distracted by grit in both my eyes. But what a delightful and low key way of keeping books in circulation, with the added assistance or forbearance of the French postal service.

174 book box

Walking, Writing and Reading

In a section of her book I read Rebecca Solnit’s thoughts about labyrinths, reading, walking and books:

In this folding up of a great distance into small space, the labyrinth resembles two other manmade things: a spool of thread and the words and lines and pages of a book. Imagine all the sentences in this book. Imagine that they could be unwound; that you could walk the line they make, or are walking it. Reading is also travelling, the eyes running along the length of an idea, which can be folded up into the compressed space of a book and unfolded within your imagination and your understanding. (188-9)

This connection between some of my favourite activities – reading, writing and walking – is most satisfying and a good excuse for a post which is basically about what I did on my holidays!

174 Faraway coverI plan to explore more of Rebecca Solnit’s writing in the next post: Men Explain Things to Me. Meanwhile take this as a rather relaxed recommendation for The Faraway Nearby.

In the Faraway Nearby by Rebecca Solnit. Published by Granta Books in 2014. 254 pp

 

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