Tag Archives: Jen Campbell

Bookshops in Books

Today I am blogging about books set in bookshops I am celebrating two things that add great pleasure to my life: books and bookshops. And the occasion is that this is my 400th post on Bookword. Setting a novel in a bookshop allows for an eccentric proprietor and a variety of customers and other visitors. The novels in this post do not disappoint.

Since my blog is bookish I thought I would indulge myself. Here are five books about bookshops to recommend to you. I’m sure you could suggest others. And please enjoy the next 400 posts.

The Bookshop by Penelope Fitzgerald

This novel is set in 1959-60 in Suffolk. Florence Green is a widow with experience of selling books. She decides to set up a bookshop in Hardborough, the small town she inhabits on the coast. By opening the bookshop she offends many people in the neighbourhood because she did not consult them or ask for advice, or because books bring culture and challenge to the town, or simply because it represents change and hope. She achieves some success, for example with Lolita, but in the end is out manoeuvred by the local grande dame, Violet Gamart.

Hardborough is populated by a range of people with odd characteristics and big human failings. The bookshop attracts them. There is indolent Milo, who works at the BBC, reclusive Mr Brundish, Christine the girl who runs the subscription library for Florence, the builder, solicitor, bank manager, the rapper (a poltergeist) and many others. None helps her to save her shop. But she tried, and will go on to other endeavours.

The Bookshop by Penelope Fitzgerald (1978) Harper Collins. 156pp

Shortlisted for the Booker prize

If on a winter’s night a traveller by Italo Calvino

This is the ultimate meta-novel, a novelist’s novel. Calvino addressed the reader in alternate chapters, and creates a novel in the others. Each chapter featuring the novel explores some aspect of novels. Each reader chapter considers other aspects of reading and writing. Ultimately there is a discussion between readers in a library, who all read in different ways and to different purposes. Each discussion deserves to be lingered over and so it can take some time to read.

It is wonderfully playful, playfulness – such a good quality in writing. Playing with the reader, as reader. Philosophical too. It begins as you, the reader, open a newly purchased copy of If on a winter’s night a traveller by Italo Calvino, but there is an error in the pagination …

If on a winter’s night a traveller by Italo Calvino, first published in Italian in 1980 under the title Se una note d’inverno un viaggiatore. I read the edition published by Vintage in 1998. 260pp

Translated by William Weaver

Mrs Sinclair’s Suitcase by Louise Walters

The action of this novel begins with a discovery made in the second hand bookshop in which Roberta works. Her father is dying and has given her some books to dispose of (in the suitcase of the title). She discovers a letter in one book that puzzles her. The book belonged to her grandmother but the letter does not seem to be consistent with what Roberta has been told about her grandmother.

Roberta uncovers her grandmother’s story; death of her baby, husband goes to war and abandons her, she falls for a Polish squadron leader, a land girl gives birth unexpectedly and Roberta’s grandmother finds a solution to all this.

Roberta’s story is also resolved – she has worked for ever for the bookshop owner, looked after him, cleaned up his mess and discovers he too has kept a secret.

Mrs Sinclair’s Suitcase by Louise Walters, published by Hodder & Stoughton in 2014. 294pp

Weird Things Customers say in Bookshops by Jen Campbell

This little volume is well named. Neil Gaiman’s quote on the cover is also apt: ‘So funny, so sad … Read it and sigh’. Here’s a sample so you can see how right he was.

CHILD: Mummy, can we buy this book?
MOTHER: Put that down. We’ve got quite enough books at home.

§

(Local author comes into bookshop, lifts his books from the bookshelf and starts rearranging them on the table in the middle of the room.)

BOOKSELLER: What are you doing?

LOCAL AUTHOR: Well, they’re never going to sell when they’re sitting on a bookshelf, are they?

§

CUSTOMER: Did Beatrix Potter ever write a book about dinosaurs?

§

CUSTOMER: Do you bother to arrange your books at all, or are they just plonked places?

BOOKSELLER: They’re in alphabetical order …

CUSTOMER: Oh.

§

CUSTOMER: Where do you keep Hamlet? You know, ‘to be or not to be’? Is it in philosophy?

Weird Things Customers say in Bookshops by Jen Campbell. Published by Constable in 2012. 119pp

Mr Penumbra’s 24-hour Bookstore by Robin Sloan

A fun read, a nice mixture of hi-tech, good old-fashioned values and pleasure in reading. It’s a page-turner with some nice interactions between old and new technologies.

Clay takes a job in the bookstore and soon realises that he has stumbled on a cult. The entrance test into the cult seems far-fetched but Clay solves it in a few minutes through the application of computer technology. Together with his friends he solves all the mysteries of the cult, and he finds out how important is friendship.

Mr Penumbra’s 24-hour Bookstore by Robin Sloan, (2012), Atlantic.

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On the tricky topic of titles

Titles – they are very difficult to get right – for a short story, a blog post, our book, the chapters in our book, my draft novel, the writing group’s anthology. The title has to do so much work that it requires hours of discussion, days of rumination and much experimentation.

101 RWA coverEileen and I rejected many, many titles for our book on retirement: The Golden Hours, How to Retire with Dignity, Retiring Now, Not your usual Retirement Guide. Our working title up to the point where we were about to hand over the manuscript was The New Retiring Book. It was our editor and publisher that found the right title: Retiring with Attitude. It says exactly what’s in the tin.

So what is the work of the title?

  1. Announcing the genre and subject

212 Fl B coverThe title is assisted by the cover design in indicating the book’s genre to the purchaser/reader as well as what the book is about and whether it’s the kind of book they want to buy/read. It helps if it is memorable for recommendations, word of mouth and requests in bookstores. You know, that book about the butterflies: Flight Behavior by Barbara Kingsolver. There is a whole book about this: Weird Things Customers say in Bookshops by Jen Campbell. Check out Jen Campbell’s website here for more stories (such as ‘Have you got a signed copy of Shakespeare’s plays?’)

2. Invitation

The title can also entice or invite the reader. It might imply a question: The Aftermath (by Rhidian Brook) of what? The Secret of the Gorge (Malcolm Saville). So what is the secret? asks the title.

Or it might be intriguing like these examples: If Nobody Speaks of Remarkable Things by Jon McGregor, The Twin by Gerbrand Bakker.

3. Directing the reader’s attention

Pride and Prejudice might have been called The Bennet Sisters or How to get your Husband. But that would have been to misdirect attention. Jane Austen knew a thing or two about what impedes good relationships. She originally had First Impressions in mind but when she revised the book the title went further.

Catch-22 (by Joseph Heller) is such a good title it has become a figure of speech. It directs the reader to the madness and illogicality of war that binds everyone.

4. Snagging the blog reader’s attention

There is particular art to getting the right title for a blog post. Like in a bookshop it needs to capture attention, but in a very brief time. Apparently 8 out of 10 users will read the title, only 2 out of 10 will read the content. Guidance for bloggers abounds and I will add to the advice in a post next month, but here’s a teaser: it’s about questions and numbers and dire warnings!

It’s hard getting the right title

Every book I have ever been involved in publishing (all non-fiction) has involved much agony and hours of discussion about the title, jokey titles, working titles, disparaging titles and anti-titles until the point where the right one arrives. Or perhaps that’s just one right one among several.

I recall a very creative lunch when Eileen and I brain stormed the most silly and excellent ideas for the chapter titles in Retiring with Attitude. We quickly found Retirement ain’t what it used to be and went on to This is your rainy day. It felt very creative in a way that endless chapter revisions did not.

Until a month ago the book I am currently involved in writing (there are three authors) was called Ageing Now. We persuaded the publisher that this was a working title when we negotiated the contract, and we have become increasingly aware of its limitations as we have engaged with the writing: it doesn’t say much about the book; it’s too vague about content, readership, and purpose. We have a better one now. WATCH THIS SPACE!

And not having a title says something too, gives the reader more work to do. One of the writers in my writing group recently read a poem with no title and we had a lively discussion about that: what it did to the listener to have no title, did it need one, what the title might be, why she had not given it one. Thanks to the group for the discussion.

And some that got away

212 1984 coverTrimalchio in West Egg by F. Scott Fitzgerald became The Great Gatsby.

Strangers from within by William Golding became Lord of the Flies.

The Mute by Carson McCullers became The Heart is a lonely Hunter.

The Last Man in Europe by George Orwell became 1984.

At This Point in Time by Carl Bernstein and Bob Woodward became All the president’s Men.

These come from a blog by Anne R. Allen in a post called 10 Tips for Choosing the Right Title in the E-Age.

Can you spot the Alternate Titles in the quiz on The Reading Room blog?

 

How do you go about finding or creating the titles for your writings?

 

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Filed under Books, My novel, Publishing our book