Tag Archives: East Germany

Dance by the Canal by Kerstin Hensel

Dance by the Canal is a novella, published by the much appreciated Peirene Press and sent to subscribers as the third in their East and West Series: Looking Both Ways. In this book we are brought to East Germany before and after reunification, to explore how a young woman fails to find her way in either. The bleakness of the Communist East offers little to a free spirit, and reunification with West Germany is suffocating her hometown. Where is a young woman to be? First published in German in 1994, four years after the reunification, Dance by the Canal still has a great deal to tell us about Europe today.

The Story of Dance by the Canal

Gabriela von Haßlau grows up as an unloved and untalented child, in a fictional town called Leibnitz in East Germany. Gabriela is a disappointment and distraction to her parents. Her father is a self-important surgeon finding the restrictions of the East German state hampers his ability to impress people. Her mother is scarcely interested in her daughter and when the couple begin entertaining, against the wishes of the state, she begins an affair. The marriage disintegrates as Gabriela’s father is removed from his post.

Led astray at school, Gabriela begins to distance herself from her family and the future organised for her by the state. She begins an apprenticeship at a machinery factory. From there she is rescued in a shady deal. In exchange for reporting on her friends she is to be a spy, and when this doesn’t work out she ends up on the street, sleeping under the canal bridge.

Bleak because there seems no answer for Gabriela, and she cannot help herself. Neither the East nor the reunified Germany can cope with her.

Humour

There is a great deal of wit in this novel, despite its rather bleak tone and ambiguous ending. Her father, a vascular surgeon, rebukes the child for crying when the tangles in her hair are pulled.

– Think of all the people with varicose veins, Father would say, you don’t see them crying. (12)

And here is the vivid way in which Gabriela describes the work she was required to do at the I-Plant: filing iron plates.

Five kilograms of iron, heave up, press to bib, clamp, screw down, file, position, up and down, thirty-degree angle, release vice, hold the plate tightly, turn the plate, retighten, file, up down up down, only fucking’s better, rotate, change, take off plate, set aside, check with bare fingertips, five kilograms of iron, heave up, clamp, turn it the other way, nose wipe, iron stinks, bad filing cuts into flesh, five kilograms is women’s weight, arms like a heavyweight, the screech of drilling, shriek of milling, screech of grinding, file by hand, up down, the stack of plates shrinks, the other grows, […] after eight hours I don’t know who I am. (86)

And there are some great characters. The other down-and-outs who drink at the Three Roses could have emerged from the Commedia del Arte. Semmelweis-Marrie, Rampen-Paul, Klunzer-Lupo and Noppe. The wonderful partner in crime from her schools days, Katka. Various teachers. Her mother’s hammy lover. The sinister Queck and Manfred who end up drowned …

Gabriela is the narrator of the novella. From the writing emerge the sense of things happening to Gabriela, her lack of control over the events, her escapes and the bleakness of her life.

Kerstin Hensel

Kerstin Hensel was born in 1961 in what was called Karl-Marx-Stadt in East Germany. She studied in Leipzig, medicine and literature. She publishes poetry and plays as well as novels. Dance by the Canal was her first novel.

Dance by the Canal by Kerstin Hensel, published in German in 1994, and in translation in 2017 by Peirene. 122pp

Translated from the German by Jen Calleja

For another review of Dance by the Canal by Kerstin Hensel, go to the blog ALifeinBooks.

On Bookword

I am reading and reviewing at least one book by a woman in translation every month: here are three recommendations from those I have already included.

Go, Went, Gone by Jenny Erpenbeck, translated from the German by Susan Berofsky.

Mirror, Shoulder, Signal by Dorthe Nors, translated from the Danish by Misha Hoekstra.

Fever Dream by Samanta Schweblin, translated from the Spanish by Megan McDowell.

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The Quest for Christa T by Christa Wolf

I failed. I got to page 93 out of 185 and I stopped reading. I have tried. For several weeks I have picked up this book and read the first chapter. Then put it down and later tried again. Now at the half-way point, ten chapters out of 20 have been read, but I can’t go on. I’ve weighed up the time it was taking to read this novel against what I felt I got out of it. I’ve decided to move on to other books.

The title of this post should really read: The Quest for Christa T by Christa Wolf

The Quest for Christa T

Christa T is not an especially remarkable woman. Like the narrator, she grew up in eastern Germany during the war, and like many in that area, fled before the advancing Red Army. Living in East Germany (the DDR), as normality is resumed, the girls meet again in university and form a loose friendship. The narrator reconstructs Christa T’s life from the documents she left when she died young of Leukaemia.

Part of the novel seems to be about the impossibility of recreating anyone’s life, fictional or real. She opens the novel with doubts about memories.

The quest for her: in the thought of her. And of the attempt to be oneself. She speaks of this in her diaries, which we have, on the loose manuscript pages that have been found, and between the lines of those letters of hers that are known to me. I must forget my memory of Christa T.- that is what these documents have taught me. Memory puts a deceptive color on things.

But must we give her up for lost? (1)

It’s this kind of elliptical yet lyrical prose that made reading it so hard. And the novel continues by exploring witness evidence, documents, and conjecturing what happened in the gaps. There is very little narrative, more a series of events alongside the narrator’s suggestions of what might have been happening in Christa T’s mind and explanations of her responses.

What are we to make of the author’s name being shared with the main character? Why has Christa Wolf embarked on this search, the quest for her namesake, at all? I guess I’ll never know because I am moving on to other reading.

Christa Wolf

Christa Wolf lived 1929 to 2011, mostly former East Germany. The area in which she was born is now in Poland, and when her family fled the advancing Red Army at the end of the war they ended up inside the Russian Zone.

She worked as a literary critic and journal editor and although critical of the DDR leadership during the Cold War period she remained a socialist. She won many awards for her writing. From reading her obituaries and about The Quest for Christa T it seems that Christa Wolf was interested in individuals who make their own way rather than following the crowd. This had obvious implications for the East German state. Her book was not banned when it appeared in 1968, but only a limited number of copies were printed.

A Novel in translation

Well, I am sorry for my failure to get beyond half way. The Quest for Christa T was my October choice for the Women in Translation project. I chose it because it appeared in several lists of recommended reads for #WIT and others had responded positively. For example, on Heavenali’s blog and Kaggsy’s Bookish Ramblings. I plan to read another, but more recent, text by a German writer: Go, Went, Gone by Jenny Erpenbeck (2017) in November.

I would like to hear from people who got further with Christa T than I did, and who got more out of it.

The Quest for Christa T by Christa Wolf, first published in English in 1970 by Hutchinson & Co. The translation from the German is by Christopher Middleton. I read a library copy from Exeter Library stacks. Virago also published a version.

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