Tag Archives: agents

How to Get Published

Such a seductive title that, how to get published. It was the catchy headline for a conference organised by Writers & Artists in Plymouth in December 2017. Was it possible that the answer, the key, the secret to getting published was on my doorstep? Always positive, always hopeful, I paid my money and I travelled to Plymouth University.

My main purpose was to find something helpful so I can make a decision about publishing my novel. Yes that novel, the one that has been going in and out of drawers for several years, and which I am currently engaged in moving from a first draft into a much improved second draft. All that editing is very absorbing, and I have hardly looked up to consider what will happen after this stage. Should I publish or not? I found an answer – see below.

How to Get Published Conference

The day was largely a series of talking heads, people who knew about the business of getting published. We heard about editing and plotting from two novelists (Wyl Menmuir and CL Taylor). We were given guidance on openings from another prolific writer (Joanna Nadin). Two literary agents helped us think about submitting our work to an agent (Kate Johnson and Juliet Pickering). Alysoun Owen, editor of Writers’ & Artists’ Yearbook, provided information about the current state of publishing and real books. And the CEO of Literature Works, Helen Chaloner, brought us up to date about bookish activities in the South West.

It’s hard listening to seven different speakers, not a great model for learning. The best sessions were those which included activities, the ones in which we worked on opening sentences, writing elevator pitches, evaluating successful and unsuccessful pitches. There were plenty of helpful hints and tips and Q&A opportunities.

Some guidance was not quite so helpful. ‘Always finish everything you start,’ Wyl Menmuir quoted Neil Gaiman. People nod as if the advice is obvious, like proofreading your pitches. It seems crazy advice to me: if I followed this guidance I would still be working on all those teenage novels, formless, angsty, the tone breathless, and still trying to get them into shape. It seems to me that knowing when to leave some writing behind is a skill worth cultivating.

A conference is also about meeting other people, and it is always enjoyable to hear about their projects. Some of the elevator pitches were most impressive, and intriguing, as they should be.

Where next?

Over the years I have come to see that writers need to pay attention to guidance from the professionals to get published. It’s all about the book, we were told more than once. And we saw how despite the solitary nature of most writing, the publication of a book is about the cooperation and complementary work of many different people. The word trust, especially in relation to the agent-author relationship, was frequently emphasised.

Impostor Syndrome

Confronted by those successful writers and agents, and sitting among ambitious writers displaying loads of confidence, it’s hard not to feel that it all applies to everyone else. My work doesn’t follow the three act structure, the MC doesn’t have a clear and thwarted want. My pitch is currently rather tame. In short, impostor syndrome is alive and well even if my inner critic is uncharacteristically quiet. [IC: I don’t need to say anything – IS is doing it all for me.]

TLC have recently been circulating the following rejection letter,

10/4/28

Mr F. C. Meyer,
Wells Street,
KATOOMBA.

Dear Sir,

No, you may not send us your verses, and we will not give you the name of another publisher. We hate no rival publisher sufficiently to ask you to inflict them on him. The specimen poem is simply awful. In fact, we have never seen worse.

Yours faithfully,

ANGUS & ROBERTSON LTD.

TLC is suggesting that such brutal honesty should be accompanied by helpful advice. There now exist many helpful strategies for writers to seek out, including mentoring (see TLC, W&A, Gold Dust and many more).

And if you took a sharp breath on behalf of Mr Meyer, let me remind you (and me) that it is all about the book. The best antidote to impostor syndrome is to repeat: the book is not me, the book is not me.

For my own part, it was a coffee-time conversation that led me to move my decision forward. I shall take the next steps, finish this edit and seek further professional guidance about my novel. I have nothing to lose, and lots to learn.

Go to Artists & Writers website for details of more dates for similar events, mentoring services and so on.

photo credits  Writing by Caitlinator on Visualhunt / CC BY

Pencils Photo by smoorenburg on Visual Hunt / CC BY

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Filed under Books, Learning, My novel, Writing

Festival of Writing

What do you get if you put 400 writers, agents, editors and creative writing teachers together? Lots of talk, lots of notebooks, lots of focused people. This was my experience of the Festival of Writing at York University this September.

What can a festival of writing give to a writer? I don’t mean a literature festival, but a writing festival? The Writers’ Workshop, who organised the Festival of Writing 2016 in York in September say they aimed to do three things given that writing is hard and solitary.

  1. help improve your writing
  2. help you meet the industry
  3. give you an amazing time

I went along mostly to finds ways to improve my writing, but it was also interesting and useful to meet others engaged in the business of book production and of writing fiction.

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What did I learn?

I learned a great deal more about the publishing industry, how the fiction landscape is changing as ebooks and self-publishing have grown. It can sometimes feel that the industry is in opposition to the writer, but of course agents and publishers need good writers, and we heard about plenty of good relationship. Most writers, I suspect, still feel we are somehow on the outside, looking for the magic formula that will allow us entry. Or if not some magic, some helpful guidance and tools that give us the chance of entry.

With a strapline from here to publication, the event went some way to demystifying a process which otherwise can seem like the quest of romantic medieval fiction: an epic journey with riddles and tests, ensnarements, false directions and yet no promise of attaining the goal.

Experiment, Learn, Bounce!

Experiment, Learn, Bounce! was CL Taylor’s message to us and it has merit. She described her very successful career as a fiction writer and extracted these points for us.

  • Experiment and be bold within and across different genres.
  • Learn from it all, learn from feedback, critiques, how-to books and from other published books.
  • And don’t give up, bounce back from rejection, you would miss out if you crumpled.

More than once writers were congratulated on completing the first draft of their novel, not many people in the world have done it. Perhaps they people know something that we don’t?

And perhaps we should be adding Celebrate! to CL Taylor’s imperatives. Celebrate every achievement, because writing is so hard.

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Workshops

There were 40 workshops on offer; everything from ‘First 100 Word Challenge’ to ‘How to Attract an Agent’. My own choices reflected my intentions to improve the first draft of my novel. I went to workshops that focused on specific aspects of the craft of fiction. All six workshops were interesting and useful, and I brought away some ideas and notes for action. Some were better learning experiences than others. It seems a misnomer to refer to a one-hour monologue as a workshop, for example.

The Writers’ Workshop is able to call upon some very experienced people in the business of helping people improve their writing. It seemed that most people attending the workshop were stimulated and challenged by their workshop experiences.

My mistake

I made a major mistake by not preparing well enough for this conference – distracted by the publication of The New Age of Ageing and other activities. I missed the information about booking one-to-one sessions and sending in my work-in-progress for feedback from an agent and an editor. Silly me! For many people present this was a really important part of attending. I know this because they were slack-jawed if I admitted that I had missed out.

Some specific things

Did you know that there is a genre called Reading Group Fiction? New to me.

It seems that post-it notes and coloured pens might be the best aid to rewriting for some of us. This does not just apply to the stationery junkies amongst us. As they are small, cheap and moveable, everything a first draft is not, post-its are a good way of visualising aspects of the novel, such as plot threads, and being able to see where rewrites are needed. Thanks Julie Cohen for the workshop on that: we did some post-it activities.

I enjoyed the generosity of the publishing community and the wannabe published writers. People were friendly, exchanged contact details, recommended books, noted successes, and bought each other drinks. Back in my writing attic I am aware of how hard it is for writers in their everyday lives to maintain the sense of community.

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But …

Half way through the weekend I lost my confidence and it all became a bit of a nightmare. I was confronted, like the hill walker who reaches the brow of the hill only to find there another one beyond, the further you go the more you can see there is to do. The consequence of knowing more about what needs revision is understanding there is more and more to do than I ever imagined. I am not convinced I can do it. I find that Neil Gaiman has expressed this rather more succinctly: ‘chasing the horizon’.

Remember that, sooner or later, before it ever reaches perfection, you will have to let it go and move on and start to write the next thing. Perfection is like chasing the horizon. Keep moving.

[From the workshop Writing Tips: Rules are made to be broken by Laura Williams.]

I am hoping that this nightmare of lost confidence will soon pass, and that the practical suggestions together with the understanding I gained about different aspects of the writer’s craft, will help me through.

But here’s another useful piece of advice from Carl Sandburg which can apply to life as well as writing:

Beware of advice – even this.

Related posts and websites

During the weekend I tweeted the connection to a post I wrote in July, the 7th in a series on revising my novel. It was called Revising the novel again (and again). A few people read the post, one saying she was glad to find she was not alone.

Here’s the link to the website of The Writers’ Workshop, organisers of the Festival.

This is the 8th in the series on revising my novel, following an on-line course back in 2015, also run by The Writers’ Workshop. Previous posts were:

My purposes for the on-line course #1 January 2015

Progress On-line course: my learning #2 January 2015

Progress On-line course: post course plans #3 February 2015

On-Line Writing Course #4 Revising Structure and Plot March 2015

On-Line Writing Course #5 Deadlines August 2015

What I write about when I am not writing fiction April 2016

 

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Filed under Books, Learning, My novel, Writing